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The evening raised $1 million raised for groups working to end violence against women and girls." [10] "After "The Vagina Monologues" debuted in 1996, it quickly became a hit. Soon, Eve Ensler's episodic play had graduated from off-off Broadway to Madison Square Garden to college stages the world over." [11] In 2004, an all-transgender ...
Girls and Boys is a 2018 one-woman play by British writer Dennis Kelly that narrates a story of love, marriage, and eventually, family violence. The script was published by Bloomsbury and Carey Mulligan 's performance of it is available as an audio book.
V is an activist addressing issues of violence against women and girls. In 1998, her experience performing The Vagina Monologues inspired her to create V-Day, a global activist movement to stop violence against women and girls. V-Day raises funds and awareness through annual benefit productions of The Vagina Monologues. In 2010, more than 5,400 ...
Carolyn Gage (born 1952) is an American playwright, [1] actor, theatrical director and author. She has written nine books on lesbian theater and sixty-five plays, musicals, and one-woman shows.
The Flying Machine: A One-Act Play for Three Men (1953), by Ray Bradbury; Fools (1981), by Neil Simon; Fortitude (1968), by Kurt Vonnegut; Frankie and Johnny in the Clair de Lune (1982), by Terrence McNally; The Frog Prince (1982), by David Mamet; The Front Page (1928), by Ben Hecht and Charles MacArthur; Fugitive Kind (1937), by Tennessee Williams
The Climate Monologues is an episodic one-woman play, created and performed by Sharon Abreu. Inspired by The Vagina Monologues , The Climate Monologues consists of a series of monologues and original songs from the point of view of people affected by and working to prevent climate change .
Naija Woman Talk True is a play by Ifeoma Fafunwa. It is a collection of monologues, songs and dance based on true-life stories of Nigerian women’s struggle for equality, safety, and access to opportunities and leadership. The play has been seen by over 120,000 live audience members and positively reviewed by the New York Times and the Boston ...
She called the monologues "extraordinary". [2] Michael Billington wrote in the same newspaper that Mrs Jarrett's speeches are "less effective as they go along" but praised the garden conversations, praising one exchange as "Churchill at her best, observing with wry compassion how people actually talk". [ 3 ]