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Pines of Rome (Italian: Pini di Roma), P 141, is a tone poem in four movements for orchestra completed in 1924 by the Italian composer Ottorino Respighi. It is the second of his three tone poems about Rome , following Fontane di Roma (1916) and preceding Feste Romane (1928).
Ottorino Respighi (/ r ɛ ˈ s p iː ɡ i / reh-SPEE-ghee, [1] US also / r ə ˈ-/ rə-; [2] Italian: [ottoˈriːno reˈspiːɡi]; 9 July 1879 – 18 April 1936) was an Italian composer, violinist, teacher, and musicologist and one of the leading Italian composers of the early 20th century.
Roman Festivals (Italian: Feste Romane), P 157 is a tone poem in four movements for orchestra completed in 1928 by the Italian composer Ottorino Respighi. [1] It is the last of his three tone poems about Rome, following Fountains of Rome (1916) and Pines of Rome (1924), which he referred to as a triptych. [2]
Respighi_Pines_of_the_Appian_way.oga (Ogg Vorbis sound file, length 5 min 20 s, 132 kbps, file size: 5.04 MB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
The orchestration calls for an average-sized orchestra of 3 flutes (3rd doubling piccolo), 2 oboes, English horn, 2 clarinets in A/B♭, 2 bassoons, 3 horns in D (doubling 2 horns in E/F), 2 trumpets in A/D (doubling trumpet in C), 3 trombones, 3 timpani, celesta, harpsichord 4-hands, harp and strings.
In Western art music, recordings of bird songs have been used in numerous works. One of the first is Pines of Rome (1924) by Ottorino Respighi – the third movement includes the sound of a nightingale recorded onto a phonograph, played in the concert hall during the movement's ending. This use of recording technology was something that had ...
Fountains of Rome calls for the following large orchestra, including piano, celesta, harps, chimes, and organ ad lib.: woodwinds: piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets in B-flat and A, bass clarinet in B-flat and A, 2 bassoons; brass: 4 French horns in F, 3 trumpets in B-flat and A, 3 trombones, tuba
The Italian composer Ottorino Respighi, with his Pines of Rome (1923–1924), may have been the first to compose a piece of music that calls for pre-recorded birdsong. A few years later, Respighi wrote Gli Uccelli ("The Birds"), based on Baroque pieces imitating four different birds, one to each movement of the work after its prelude: [5]
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