Search results
Results from the WOW.Com Content Network
Surely in traditional China, as in other societies, all three feelings frequently entered into cases of wrongdoing, even though their proportions might vary according to the background of the particular wrongdoer." [33] Based on experiments in cross-cultural psychiatry, [34] modern scholars doubt the thesis of a Chinese "shame culture."
Deviant acts can be assertions of individuality and identity, and thus as rebellion against group norms of the dominant culture and in favor of a sub-culture. In a society, the behavior of an individual or a group determines how a deviant creates norms.
This was a major argument in favor of the eight-legged essay, arguing that it were better to eliminate creative art in favor of prosaic literacy. In the history of Chinese literature, the eight-legged essay is often accused by later Chinese critics to have caused China's "cultural stagnation and economic backwardness" in the 19th century. [1] [2]
This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages) This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Chinese culture" – news · newspapers · books ...
Due to the influence of Hong Kong cinema, it is typically depicted in modern popular culture as a stiff corpse dressed in official garments from the Qing dynasty. Although the pronunciation of jiangshi varies in different East Asian countries, all of them refer to the Chinese version of vampire.
Sang (simplified Chinese: 丧; traditional Chinese: 喪, lit. ' funeral, mourning ') is a term used to describe a Chinese youth sub-culture in which some young Chinese are seen to possess feelings of loss or even defeatism. Memes representing this view are widely shared reflecting feelings of disenchantment with the official discourse in post ...
The character gui (鬼) can have negative connotations itself without the zi (子) suffix.For example, when it was attached to the Westerners in the term yang guizi (洋鬼子 'overseas devils') during the Boxer Rebellion, to the Japanese military in the term guizi bing (鬼子兵 'devil soldiers') during the Second Sino-Japanese War, and to the Korean collaborators with the term er guizi ...
Xianxia (traditional Chinese: 仙俠; simplified Chinese: 仙侠; pinyin: xiānxiá; lit. 'immortal heroes') is a genre of Chinese fantasy heavily inspired by Chinese mythology and influenced by philosophies of Taoism, Chan Buddhism, Chinese martial arts, traditional Chinese medicine, Chinese folk religion, Chinese alchemy, other traditional elements of Chinese culture, [1] and the wuxia genre.