Search results
Results from the WOW.Com Content Network
The song's B-side, "Go Girl, Go", has the singer complaining about having to "stand in line" to see his girlfriend now that she is a "hip-swingin', fringe-slingin' Watusi go go girl". It is featured in the compilation album Essential Pebbles, Volume 1 , where it is incorrectly titled "Go Go Girl" in the track listing, and attributed to "unknown ...
Worth Dying For is the fifteenth book in the Jack Reacher series of thrillers written by Lee Child. It was published on 30 September 2010 in the United Kingdom [1] and was published on 19 October 2010 in the USA. [2] It is written in the third person.
Worth Dying For is the self-titled debut album of the Modesto, California-based contemporary worship band Worth Dying For (now Fearless BND). It was released by Integrity Music in April 2008. [ 3 ]
Worth Dying For may refer to: The former name of Fearless BND, American Christian band; Worth Dying For, 2008 album by the above; Worth Dying For, 2010 novel by Lee Child; Worth Dying For (non-fiction book), 2016 book on flags by Tim Marshall
Fading West is the ninth studio album by the American alternative rock band Switchfoot, released on January 14, 2014 through Atlantic. [4] [5] The album was promoted by four singles: "Who We Are" and "Love Alone Is Worth the Fight", released in September 2013, "Let It Out" released in February 2014, and "When We Come Alive", released in May 2014.
Fearless BND (formerly Worth Dying For) is an American Christian worship band encompassing various artists from the Southern California based Ammunition Movement. Originating from the Modesto, California , ministry Ammunition, they set out with their lead pastor, Jeremy Johnson to plant a church in the Southern California area in early 2012.
In the US, the song was released on 12 December 1995 and reached No. 6 on the Billboard Hot 100, becoming the Beatles' 34th Top 10 single in America. [50] [7] [51] It was the group's first Top 10 song in the U.S. since 1976, and also their first new single since their final number one hit on that chart in 1970.
Christianity Today said, "even with vertical lyrics, the album could fit in easily with modern rock radio." [ 2 ] Jesus Freak Hideout gave the album an overall positive review and said while the techno and industrial blends are more of an "acquired taste", the album is "right up your alley" if a person likes their worship "edgy."