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In the Life of St. Paul the First Hermit, by St. Jerome, it is recorded that it was St. Anthony that found St. Paul towards the end of his life and without whom it is doubtful he would be known. [34] Saint-Antoine-l'Abbaye, Isère, France. Veneration of Anthony in the East is more restrained. There are comparatively few icons and paintings of him.
St. Anthony the Abbot (detail), (with his companion pig shown in the background) by Piero di Cosimo, ca. 1480. Tantony is a shorted form of the name of St. Anthony the Abbot, [1] a prominent figure among the Desert Fathers. It is used in reference to the attributes by which the saint is represented.
Matthias Grünewald, inner right wing of the Isenheim Altarpiece depicting the Temptation of St. Anthony, 1512-1516 (oil on panel). The Temptation of Saint Anthony is an often-repeated subject in the history of art and literature, concerning the supernatural temptation reportedly faced by Saint Anthony the Great during his sojourn in the Egyptian desert.
The Torment of Saint Anthony [2] (or The Temptation of Saint Anthony, c. 1487–88) is a painting by Michelangelo, who painted this close copy of the famous engraving by Martin Schongauer when he was only 12 or 13 years old. Whether the painting is by Michelangelo is disputed. [3]
Saint Anthony Abbot Tempted by a Heap of Gold is a painting by the 15th-century Sienese painter known as the Master of the Osservanza, now in the Metropolitan Museum of Art in New York. Completed circa 1435 in tempera and gold on panel, [ 1 ] it is one of his cycle of eight works representing scenes from Saint Anthony 's life.
Sant'Antonio abate all’Esquilino (Saint Anthony Abbot on the Esquiline) is a church in Rome, located near the Basilica of Santa Maria Maggiore on via Carlo Alberto in the Esquilino district. It is used by the Russian Greek Catholic Church.
The Triptych of Temptation of St. Anthony is an oil painting on wood panels by the Early Netherlandish painter Hieronymus Bosch, dating from around 1501.The work portrays the mental and spiritual torments endured by Saint Anthony the Great (Anthony Abbot), one of the most prominent of the Desert Fathers of Egypt in the late 3rd and early 4th centuries.
It is impossible definitively to link this reference to specific paintings, but the only one still in this area is Moretto's St Antony the Abbot. [3] Its commissioner is unknown, but was probably the town of Casto - the Santuario was built from 1527 onwards after a vision of the Virgin Mary and the canvas dates to the years immediately after this.