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'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing , though other methods of application have also been used.
The Willow pattern is a distinctive and elaborate chinoiserie pattern used on ceramic tableware. It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from Qing dynasty China.
Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of Orientalism.The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the Rococo style and with works by François Boucher, Thomas Chippendale, and Jean-Baptist Pillement.
A 20th century version of The Willow Pattern, a typical Staffordshire Potteries product in blue and white transfer printed earthenware. Thomas Minton (1765–1836) was an English potter . He founded Thomas Minton & Sons in Stoke-on-Trent , Staffordshire , which grew into a major ceramic manufacturing company with an international reputation.
Qingbai ("Blueish-white") glazed bowl with carved peony designs, Jingdezhen, Southern Song, 1127–1279 Early blue and white porcelain, c. 1335, the shape from Islamic metalwork. Jingdezhen porcelain (Chinese: 景德镇陶瓷) is Chinese porcelain produced in or near Jingdezhen in Jiangxi province in southern China.
The modern blue business suit has its roots in England in the middle of the 17th century. Following the London plague of 1665 and the London fire of 1666, King Charles II of England ordered that his courtiers wear simple coats, waistcoats and breeches, and the palette of colours became blue, grey, white and buff. Widely imitated, this style of ...
Chinese blue and white porcelain of this time could be associated with floral designs and animals, whereas 14th century Iranian porcelain contains geometric motifs and symmetrical arrangement. Timurid blue and white ware of the late 14th and early 15th centuries display many more similarities between these Islamic ceramics and Chinese porcelain ...
It is composed of intricate but symmetrical patterns, vibrant colours, varied stitches and a defined weave. Its use of primary colors, light and shade are reminiscent of western paintings. Shu Xiu (蜀绣) – Sichuan embroidery comes from areas around Chengdu, Sichuan Province. It is among the oldest known embroidery styles in Chinese ...
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