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Double Concerto for Harpsichord and Piano with Two Chamber Orchestras (1959–61) Piano Concerto (1964–65) Oboe Concerto (1986–1987) Violin Concerto (1990) Clarinet Concerto (1996) Cello Concerto (2000) Boston Concerto (2002) Dialogues for piano and chamber orchestra (2003) Mosaic for harp and ensemble (2004) Soundings for piano and ...
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
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[3] Gramophone referred to the concerto as one that "extends the past rather than smooths the passage to the twentieth-century revival of the form," contrasting it with Domenico Cimarosa's constructed oboe concerto by Arthur Benjamin as an example of a 20th-century 'revival' of a work that was not originally made. [6]
The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach 's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.
Oboe Concerto (Vaughan Williams): Scores at the International Music Score Library Project; Mark Satola. Ralph Vaughan Williams: Oboe Concerto in A minor at AllMusic; Program notes Archived 8 February 2008 at the Wayback Machine by Jason Sundram; Program notes by David Hoose (archive from 20 March 2012, accessed 28 April 2016)
A number of concertos and concertante works have been written for cor anglais (English horn) and string, wind, chamber, or full orchestra.. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautbois, vox humana and the oboe da caccia) had the role of the tenor or alto ...