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In Search of Fellini is a 2017 American coming-of-age adventure film, directed by Taron Lexton, starring Ksenia Solo, Maria Bello and Mary Lynn Rajskub.The movie was inspired by the early years in the entertainment industry and a journey to Italy to "find herself" of Nancy Cartwright (whose Spotted Cow Entertainment sold the North American rights to AMBI Media Group).
Without Pity (Italian: Senza pietà) is a 1948 Italian film directed by Alberto Lattuada from a script by the director himself, Federico Fellini and Tullio Pinelli, from an original story by Ettore Margadonna.
During Fellini's early film career, he was closely associated with the movement known as neorealism, [94] a set of films produced by the Italian film industry during the post-World War II period, particularly 1945–1952, [95] and characterized by close attention to social context, a sense of historical immediacy, political commitment to ...
Ginger and Fred (Italian: Ginger e Fred) is a 1986 comedy-drama film written and directed by Federico Fellini and starring Marcello Mastroianni and Giulietta Masina. [2]The title is a reference to the American dancing couple Fred Astaire and Ginger Rogers.
Amarcord (Italian: [amarˈkɔrd]) is a 1973 comedy-drama film directed by Federico Fellini, a semi-autobiographical tale about Titta, an adolescent boy growing up among an eccentric cast of characters in the village of Borgo San Giuliano (situated near the ancient walls of Rimini) [2] in 1930s Fascist Italy.
8½ (Italian: Otto e mezzo [ˈɔtto e mˈmɛddzo]) is a 1963 comedy drama film co-written and directed by Federico Fellini.The metafictional narrative centers on Guido Anselmi (Marcello Mastroianni), a famous Italian film director who suffers from stifled creativity as he attempts to direct an epic science fiction film.
For Vincent Canby of The New York Times, Satyricon was "the quintessential Fellini film ... a travelogue through an unknown galaxy." [27] Roger Ebert of The Chicago-Sun Times originally stated the film was a masterpiece, and he ranked the film 10th in his 10 Best Films of 1969 list. [28]
Russian film director Andrei Tarkovsky, in Rome that year for the pre-production of Nostalghia, noted in his diary that City of Women was a fiasco: "At the Cannes Festival the papers said that Fellini's last film was a total disaster, and that he himself had ceased to exist. It's terrible, but it's true, his film is worthless."
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