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Copper engraving: 316 × 225 mm: B61 The Penance of St John Chrysostom: 1494–1498: Copper engraving: 183 × 119 mm: B63 The Deformed Landser Sow: 1494–1498: Copper engraving: 118 × 126 mm: B95 The Prodigal Son: 1494–1498: Copper engraving: 247 × 191 mm: B28 The Small Fortune: 1495–1496: Copper engraving: 120 × 66 mm: B78 The Small ...
The prints with uncertain authorship will be marked by a note below the title. The list below contains great majority of the prints which were included in one of the Dürer's catalogue raisonné indicated, even if the source was not certain of the authorship or considered it to be work of School of Dürer.
Dürer catalog: a manual about Albrecht Dürer's engravings, etchings, woodcuts, their conditions, editions and watermarks, 21 Hollstein's German engravings, etchings and woodcuts, ca. 1400-1700. Vol. 7: Albrecht and Hans Dürer , 21
A preparatory sketch for the engraving; see also this sketch.. Melencolia I has been the subject of more scholarship than probably any other print. As the art historian Campbell Dodgson wrote in 1926, "The literature on Melancholia is more extensive than that on any other engraving by Dürer: that statement would probably remain true if the last two words were omitted."
The Complete Engravings, Etchings and Drypoints of Albrecht Durer. Mineola NY: Dover Publications, 1973. ISBN 0-486-22851-7; Borchert, Till-Holger. Van Eyck to Dürer: The Influence of Early Netherlandish painting on European Art, 1430–1530. London: Thames & Hudson, 2011. ISBN 978-0-500-23883-7; Wolf, Norbert. Albrecht Dürer. Cologne ...
Knight, Death and the Devil, 1513, engraving, 24.5 x 19.1 cm. Knight, Death and the Devil (German: Ritter, Tod und Teufel) is a large 1513 engraving by the German artist Albrecht Dürer, one of the three Meisterstiche (master prints) [1] completed during a period when he almost ceased to work in paint or woodcuts to focus on engravings.
Jean Duvet's series of the same name, Apocalypse, is a set of 15 engravings that emulates the subject matter taken on by Dürer in his mature cycle. Though of the same topic, Duvet creates his set utilizing his own unique engraving style. Duvet's series was fully published in 1561, with the first plate dating 6 years earlier in 1555. [23]
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