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Bailar en la Cueva (English: To Dance in the Cave) is the tenth studio album by Uruguayan singer and songwriter Jorge Drexler, released on March 25, 2014, through Warner Music. [2] The album was produced by Carlos Campón and features collaborations from Brazilian singer Caetano Veloso and Chilean-French rapper Ana Tijoux .
Bailar pegados" was composed by Julio Seijas with lyrics by Luis Gómez-Escolar and was recorded by Sergio Dalma for his second studio album Sintiéndonos la piel . It is a romantic ballad in which Dalma sings: "dancing closely is dancing like the sea dances with the dolphins / heart to heart in just one ballroom".
Trio Vegabajeño was a legendary Puerto Rican popular music trio that existed from 1943 to the early 80s. This group marked an era of popular music in Puerto Rico.When trios were very popular in the Americas, Trio Vegabajeño was considered the ambassadors from Puerto Rico.
Bajofondo is a Río de la Plata-based music band consisting of eight musicians from Argentina and Uruguay, which aims to create a more contemporary version of tango and other musical styles of the Río de la Plata region.
"Sácala a Bailar" (English: "Ask Her To Dance") is a song by Peruvian singer-songwriter Gian Marco released by Enjoymusic as the third single of his thirteenth studio album Intuición. [ 1 ] Release and reception
At 16 years old, Maceda first started experimenting with guitars and the vals criollo genre. In 1954, Maceda, along with Juan Jiron and Juan Ruiz, formed "Los Ruiseñores." In 1955, Paco Maceda teamed up with Luis Abanto Morales to write the hit song "Nunca Podran." Genaro Ganoza Torres, co-founder of Los Kipus, was born on July 10, 1931.
Malinche, un musical de Nacho Cano (or Malinche) is a Spanish-language stage musical, based on the life of the Nahuan slave known as La Malinche. [1] It premiered at the IFEMA Fairground in Madrid in 2022, [2] [3] [4] and will be produced in Mexico featuring a Mexican cast. [5] [6] An English-language production has also been performed by the ...
A marímbula, the "bass" instrument used by changüí ensembles. Some groups used the more rudimentary jug known as botija or botijuela.. Although the history of Cuban music dates back to the 16th century, the son is a relatively recent musical invention whose precursors emerged in the mid-to-late 19th century.