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Radiohead has rarely performed "Let Down" live. After a 2006 performance, it was performed until it was the tour supporting A Moon Shaped Pool (2016). [5] The multi-track recording used in the studio version makes the song difficult to recreate live, especially with respect to the layering of multiple simultaneous vocal parts sung by Yorke.
Abingdon School, where Radiohead formed. The members of Radiohead met while attending Abingdon School, a private school for boys in Abingdon, Oxfordshire. [2] The guitarist and singer Thom Yorke and the bassist Colin Greenwood were in the same year; the guitarist Ed O'Brien was one year above, and the drummer Philip Selway was in the year above O'Brien. [3]
Later that month, Radiohead performed their then-biggest-ever show at the RDS Arena in Dublin, Ireland. [11] [12] The performance was held in windy and rainy conditions. [13] The song was inspired by a dream Yorke had on the night of this show, [14] in which he was running naked down Dublin's River Liffey and being pursued by a tidal wave. [15]
OK Computer is the third studio album by the English rock band Radiohead, released on 21 May 1997.With their producer, Nigel Godrich, Radiohead recorded most of OK Computer in their rehearsal space in Oxfordshire and the historic mansion of St Catherine's Court in Bath in 1996 and early 1997.
"Fake Plastic Trees" is a song by the English rock band Radiohead, released in May 1995 by Parlophone from their second album, The Bends (1995). It was the third single from The Bends in the UK, and the first in the US.
Defense Secretary Pete Hegseth doubled down on President Donald Trump’s proposal for the United States to "take over" the Gaza Strip, saying "all options" are on the table. Hegseth declined to ...
Buckley Carlson, a former Capitol Hill aide and the son of conservative media personality Tucker Carlson, is set to join Vice President JD Vance's press office, sources tell ABC News. The younger ...
Radiohead debuted "Cut a Hole" on the King of Limbs tour in 2012. [81] The song builds gradually to a climax, with "menacing" lyrics about a "long-distance connection". [ 81 ] NME described it as "an atmospheric, shifting gloomathon" with a "head-flung-back vocal from Thom, climaxing with some of his highest notes since OK Computer ".