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The latter song is an acoustic ballad with chromatic choruses and sentimental lyrics bidding farewell to Tracy. [8] Christgau wrote that the album's lyrics suggest that Prince sings as Tracy, although he cannot be certain. [5] Parade also features some French lyrics and chanson arrangements, which refer to the film's French setting. [8]
Already with a cache of stolen priceless international art treasures, THEM plots to steal the Venus de Milo with the intention of reattaching its two arms of which they are in possession. In addition to the then popular spy film genre, the film spoofs many other items of the day such as cigarette commercials.
The Venus de Milo or Aphrodite of Melos [b] is an ancient Greek marble sculpture that was created during the Hellenistic period. Its exact dating is uncertain, but the modern consensus places it in the 2nd century BC, perhaps between 160 and 110 BC.
Birth of the Cool is a compilation album by the American jazz trumpeter and bandleader Miles Davis, released in February 1957 by Capitol Records. [nb 1] It compiles eleven tracks recorded by Davis's nonet for the label over the course of three sessions during 1949 and 1950.
Venus de Milo (often shortened to simply Venus, and later known as Bonnie) is a fictional superheroine within the Teenage Mutant Ninja Turtles franchise. [1] She first appeared in the television series, Ninja Turtles: The Next Mutation. There, she was portrayed by Nicole Parker and voiced by Lalainia Lindbjerg.
The performer billed as "The Modern Milo" during this period specialized in recreating female sculptures, a Psyche in addition to her namesake Venus de Milo. [ 77 ] Frederick Ashton choreographed a ballet Cupid and Psyche with music by Lord Berners and decor by Sir Francis Rose, first performed on 27 April 1939 by the Sadler's Wells Ballet (now ...
A life-sided Venus Coming from the Bath was photographed in Bitter's studio in 1901, [45] when Munson was 10 years old. Venus de Milo (with arms) by 1921 Noordeinde Palace, The Hague, Netherlands marble Queen Wilhelmina of the Netherlands commissioned a Venus de Milo (with arms) from Bitter. Munson wrote that Bitter experimented
The cover artwork is a drawing by Johnston of a woman's torso, inspired by Venus de Milo and Venus of Willendorf. The torso represents sex [ 5 ] and the objectified, mystified, and dehumanized way women are portrayed in his lyrics and artwork.