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Notes Works cited References External links 0-9 S.S. Kresge Lunch Counter and Soda Fountain, about 1920 86 Main article: 86 1. Soda-counter term meaning an item was no longer available 2. "Eighty-six" means to discard, eliminate, or deny service A A-1 First class abe's cabe 1. Five dollar bill 2. See fin, a fiver, half a sawbuck absent treatment Engaging in dance with a cautious partner ab-so ...
In the United States, speakeasy bars date back to at least the 1880s, but came into prominence in the United States during the Prohibition era (1920–1933, longer in some states). During that time, the sale, manufacture, and transportation ( bootlegging ) of alcoholic beverages was illegal throughout the United States, due to the Eighteenth ...
By 1920, the speakeasy was renowned for its riotous performances of hot jazz music which occasionally degenerated into violence and mayhem. [35] The Washington Post crime reporter described The Krazy Kat as being "something like a Greenwich Village coffee house ", featuring gaudy pictures painted by futurists and impressionists . [ 36 ]
Step into Naughty Pine Brewing Company and you'll be instantly transported into another world where the beers are brewed to perfection and the 1920s speakeasy vibes are in full swing. Naughty Pine...
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Twelve 33 Distillery, in Little River, is temporarily opening its hidden Prohibition-themed speakeasy room to the public on Tuesdays and Wednesdays.
The Sunset Café, also known as the Grand Terrace Café or simply Grand Terrace, [13] operated during the 1920s, 1930s and 1940s. It was one of the most important jazz clubs in America, especially during the period between 1917 and 1928 when Chicago became a creative capital of jazz innovation and again during the emergence of bebop in the ...
Gladys Alberta Bentley (August 12, 1907 – January 18, 1960) [1] was an American blues singer, pianist, and entertainer during the Harlem Renaissance.. Her career skyrocketed when she appeared at Harry Hansberry's Clam House, a well-known gay speakeasy in New York in the 1920s, as a black, lesbian, cross-dressing performer.
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