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Ragtime is a musical with music by Stephen Flaherty, lyrics by Lynn Ahrens, and a book by Terrence McNally. It is based on the 1975 novel of the same name by E.L. Doctorow .
The first recording was by blues and ragtime musicians the Blue Boys in 1928, played on mandolin and guitar. [1] As one of the classics of ragtime, it returned to international prominence as part of the ragtime revival in the 1970s, when it was used as the theme music for the 1973 Oscar-winning film The Sting.
Ragtime, also spelled rag-time or rag time, [2] is a musical style that had its peak from the 1890s to 1910s. [1] Its cardinal trait is its syncopated or "ragged" rhythm. [1] Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott, and Joseph Lamb.
Joplin considered ragtime to be a form of classical music meant to be played in concert halls and largely disdained the performance of ragtime as honky tonk music most common in saloons. Joplin grew up in a musical family of railway laborers in Texarkana, Texas. During the late 1880s, he traveled the American South as a musician.
Axel Christensen (1881–1955), "The Ragtime Wedding March (Apologies to Mendelssohn)" (1902), ... Rags and Ragtime: A Musical History. Dover Books on Music.
When it was published, it was considered significantly more difficult than the average Tin Pan Alley and early ragtime sheet music common at the time. "Gladiolus Rag," a later composition by Joplin, is a developed variant of the "Maple Leaf Rag" showcasing Joplin's increasing musical sophistication, and is usually played at a somewhat slower tempo.
This early job would serve Flaherty well later in life when he had the opportunity to compose the score for the Broadway musical Ragtime. He moved to New York City in 1982 and joined the BMI Lehman Engel Musical Theater Workshop, founded by music director Lehman Engel, where he met Lynn Ahrens, who was to become his longtime collaborator.
In the earliest days of ragtime, there was little consensus on how to print the syncopated melodies of ragtime, so there was considerable variety in the formatting of sheet music. Pieces appeared in common meter, in 4/4 time, and in 2/4 time, and often followed conventions of earlier musical forms such as the march. As the 20th century dawned ...
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