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In rhetoric, an anaphora (Greek: ἀναφορά, "carrying back") is a rhetorical device that consists of repeating a sequence of words at the beginnings of neighboring clauses, thereby lending them emphasis. [2]
Repetition is the simple repeating of a word, within a short space of words (including in a poem), with no particular placement of the words to secure emphasis.It is a multilinguistic written or spoken device, frequently used in English and several other languages, such as Hindi and Chinese, and so rarely termed a figure of speech.
In linguistics, anaphora (/ ə ˈ n æ f ər ə /) is the use of an expression whose interpretation depends upon another expression in context (its antecedent).In a narrower sense, anaphora is the use of an expression that depends specifically upon an antecedent expression and thus is contrasted with cataphora, which is the use of an expression that depends upon a postcedent expression.
Leontius of Byzantium intimates that Theodore wrote a portion of a liturgy; "not content with drafting a new creed, he sought to impose upon the church a new Anaphora". [2] The proanaphoral and post-communion portions are supplied by the older liturgy of the Apostles , the anaphora only being peculiar.
It has been noted that in poems 2 to 26 the opening of the line is nearly [108] always a spondee (– –), as in the above two examples, but in poems 27 to 60, as well as in poem 1, Catullus often begins a line with an iamb (ᴗ –), or a trochee (– ᴗ). This suggests that Catullus changed his practice as he continued to write his poems ...
The Anaphora of Saint Gregory the Theologian follows the Antiochene (or "West Syriac") structure, which can be so summarized: Pre-anaphoric rites: the Prayer of the Veil; the Prayer of Reconciliation. Anaphora: the Opening Dialogue; the Preface, glorifying Christ and giving thanks to him for the creation.
Wilamowitz suggested that the poem was a wedding song, and that the man mentioned in the initial stanza of the poem was the bridegroom. [10] A poem in the Greek Anthology which echoes the first stanza of the poem is explicitly about a wedding; this perhaps strengthens the argument that fragment 31 was written as a wedding song. [11]
Alliteration is used in the alliterative verse of Old English poems like Beowulf, Middle English poems like Sir Gawain and the Green Knight, Old Norse works like the Poetic Edda, and in Old High German, Old Saxon, and Old Irish. [3] It was also used as an ornament to suggest connections between ideas in classical Latin, Greek, and Sanskrit poetry.