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Jörg Bäcker of the University of Bonn described it as "the first large-scale anthology of the folk literature in China ever published in the West". [1] The book includes oral literature from Han Chinese and ethnic minorities. [2] This book is intended to be an introduction to the material and was written as a university textbook. [3]
By the seventeenth century, minstrelsy had evolved into ballads whose authors wrote on a variety of topics. The authors could then have their ballads printed and distributed. Printers used a single piece of paper known as a broadside, hence the name broadside ballads. [3] It was common for ballads to have crude woodcuts at the top of a ...
Francis James Child collected the words to over 300 British folk ballads. Illustration by Arthur Rackham of Child Ballad 26, "The Twa Corbies"Child's collection was not the first of its kind; there had been many less scholarly collections of English and Scottish ballads, particularly from Bishop Thomas Percy's Reliques of Ancient English Poetry (1765) onwards. [4]
It is listed as Child ballad number 81 and number 52 in the Roud Folk Song Index. [ 1 ] [ 2 ] This song exists in many textual variants and has several variant names. The song dates to at least 1613, and under the title Little Musgrave and Lady Barnard is one of the Child ballads collected by 19th-century American scholar Francis James Child .
A romancero is a collection of Spanish romances, a type of folk ballad (sung narrative). The romancero is the entire corpus of such ballads. As a distinct body of literature they borrow themes such as war, honour, aristocracy and heroism from epic poetry, especially the medieval cantar de gesta and chivalric romance, and they often have a pretense of historicity.
"The Twa Corbies", illustration by Arthur Rackham for Some British Ballads "The Three Ravens" (Roud 5, Child 26) is an English folk ballad, printed in the songbook Melismata [1] compiled by Thomas Ravenscroft and published in 1611, but the song is possibly older than that. Newer versions (with different music) were recorded up through the 19th ...
This ballad was one of 25 traditional works included in Ballads Weird and Wonderful which was published by John Lane's The Bodley Head in 1912 and illustrated by Vernon Hill. [6] The song "Scarborough Fair" is considered a relatively recent variant of "The Elfin Knight", and both are officially classified as the same ballad. [7]
The influence of the traditional English folk ballad is evident in the metre, rhythm and structure of "She dwelt". It follows the variant ballad stanza a4–b3–a4–b3, [58] and, in keeping with ballad tradition, tells a dramatic story. As Durrant observed, "To confuse the mode of the 'Lucy' poems with that of the love lyric is to overlook ...
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