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The Singer Featherweight is a model series of lockstitch domestic sewing machines produced by the Singer Manufacturing Company from 1933 to 1968, [1] significant among sewing machines for their continuing popularity, active use by quilters and high collector's value.
The Singer Model 27 and later model 127 were a series of lockstitch sewing machines produced by the Singer Manufacturing Company from the 1880s to the 1960s. (The 27 and the 127 were full-size versions of the Singer 28 and later model 128 which were three-quarters size). They were Singer's first sewing machines to make use of "vibrating shuttle ...
A song that topped multiple pre-Hot 100 charts is counted only once towards the artist's total. The ° symbol indicates that all or part of an artist's total includes number-ones occurring on any of the pre-Hot 100 chart(s) listed above (January 1, 1955 through July 28, 1958).
Starting in 1991, Billboard began using Nielsen Soundscan data for its album chart, which provided more precise and accurate sales figures. [3] The first date to use this methodology was the June 1, 1991 dated chart when the number one album was Out of Time by R.E.M., which topped the chart with sales of 89,000. [4]
An Emmy-nominated documentary cinematographer with credits including “Procession” and “All the Beauty and the Bloodshed,” Robert Kolodny puts his expert eye for shooting nonfiction to ...
Michael Jackson had the highest number of top hits at the Billboard Hot 100 chart during the 1980s (9 songs). In addition, Jackson remained the longest at the top of the Billboard Hot 100 chart during the 1980s (27 weeks). Madonna ranked as the most successful female artist of the 1980s, with 7 songs and 15 weeks atop the chart.
The Chartbusters were an American rock band from Washington, D.C. The group's lone hit single was the 1964 song "She's the One", which had an 8-week chart run and peaked at #33 in August 1964 on the Billboard Hot 100. [1] "
The album was recorded over most of 1980, in London, Manchester, Jamaica and New York. It was produced by the band (primarily Mick Jones and Joe Strummer), recorded and mixed by Bill Price, and engineered by Jeremy "Jerry" Green (Wessex Sound Studios), J. P. Nichols (Electric Lady Studios), Lancelot "Maxie" McKenzie (Channel One Studios), and Bill Price (Pluto + Power Station Studios).