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Carr (1995:11) characterizes 榊 as "a doubly exceptional logograph"; it is an ideograph "character representing an idea" (which is an infrequent type of logograph "character representing a word", see Chinese character classification), and it is a kokuji 国字 "national character; Japanese-made character" (rather than a typical kanji 漢字 ...
A Shinto wedding ceremony. A Shinto wedding ceremony is typically a small affair, limited to family, while a reception is open to a larger group of friends. [1]Shinzen kekkon, literally "wedding before the kami," is a Shinto purification ritual [2] that incorporates the exchange of sake between the couple before they are married. [1]
' cherry birch bow ') – a sacred bow used in certain Shinto rituals in Japan, as well as a Japanese musical bow; made from the wood of the Japanese cherry birch tree (Betula grossa). Playing an azusa yumi forms part of some Shinto rituals; in Japan, it is universally believed that merely the twanging of the bowstring will frighten ghosts and ...
Mizuhiki on an envelope — this photo shows gold and silver kekkon mizuhiki adorning a shūgi-bukuro, commonly given as a gift at weddings.. Mizuhiki (水引, lit. ' water-pull ') is an ancient Japanese artform of knot-tying, most commonly used to decorate envelopes, called kinpū, which are given as gifts during holidays like Japanese New Year (and are then called otoshidama) or for special ...
A Amenonuhoko Azusa Yumi G Gohei (Japanese: 御幣) Goshintai (Japanese: 御神体) H Hama Yumi (Japanese: 破魔弓) Heisoku (Japanese: 幣束) I Imperial Regalia of Japan (Japanese: 三種の神器) K Kagura suzu (Japanese: 神楽鈴) Kusanagi (Japanese: 草薙の剣) Koma-inu (Japanese: 狛犬) M Mitamashiro (Japanese: 御霊代) N Nihongo or Nippongo (Japanese: 日本号) O O-fuda ...
Ushi no toki mairi (Japanese: 丑の時参り, lit. "ox-hour shrine-visit") or ushi no koku mairi (丑の刻参り) [2] refers to a prescribed method of laying a curse upon a target that is traditional to Japan, so-called because it is conducted during the hours of the Ox (between 1 and 3 AM).
Kuji-kiri is explained in Shugendo texts, quite correctly, as a preparatory ritual of protection, to cut off demonic influences and their inki (vital substance) (Waterhouse, 1996). In Japanese folk-magic and onmyodo, the nine cuts are often made over writing or a picture, to gain control of the object named or pictured. Thus, a sailor wishing ...
Ryōgen (left), 18th chief abbot (zasu) of Enryaku-ji. The omikuji sequence historically commonly used in Japanese Buddhist temples, consisting of one hundred prophetic five-character quatrains, is traditionally attributed to the Heian period Tendai monk Ryōgen (912–985), posthumously known as Jie Daishi (慈恵大師) or more popularly, Ganzan Daishi (元三大師), and is thus called ...