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Operas with entries in The New Kobbé's Opera Book, ed. Lord Harewood (Putnam, 9th ed., 1997). ISBN 0-370-10020-4; Table of Contents of The Rough Guide to Opera. by Matthew Boyden. (2002 edition). ISBN 1-85828-749-9. Operas with entries in The Metropolitan Opera Guide to Recorded Opera ed. Paul Gruber (Thames and Hudson, 1993).
Aria (canzonetta) for voice and piano, transcription of an insertion aria sung by Luigi Marchesi with several texts in several operas. The version with the text "Ridente la calma" was inserted in Francesco Bianchi's Il trionfo della pace (1782). [1] The original author of the music may be Josef Mysliveček.
A concert aria is normally an aria or operatic scene (scena) composed for singer and orchestra, written specifically for performance in concert rather than as part of an opera. Concert arias have often been composed for particular singers, the composer always bearing that singer's voice and skill in mind when composing the work.
Operas by Christoph Willibald Gluck [1] Title Genre Acts Libretto Premiere Notes Date Venue Artaserse: dramma per musica: 3 acts: Metastasio: 26 December 1741: Milan, Regio Ducale: 2 arias preserved Demetrio (Cleonice) dramma per musica: 3 acts: Metastasio: 2 May 1742: Venice, S Samuele: 8 arias preserved Demofoonte: dramma per musica: 3 acts ...
List of operas by George Frideric Handel. All works are opera seria in three acts, unless otherwise stated. HWV Title Premiere Venue Libretto Notes 1 Almira: 8 January 1705 Oper am Gänsemarkt, Hamburg Friedrich Christian Feustking, after G. Pancieri Singspiel: 2 Nero: 25 February 1705 Oper am Gänsemarkt, Hamburg Friedrich Christian Feustking ...
Throughout Mozart's life, he wrote a large number of stand-alone arias and vocal ensembles. Most of these are concert arias, with some being alternative arias or ensembles to operas. His first work in this field was written in 1765 ("Va, dal furor portata") and the last in 1791 ("Io ti lascio, o cara, addio").
Carmen has since become one of the most popular and frequently performed operas in the classical canon; the "Habanera" and "Seguidilla" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of opéra comique with musical numbers
Che gelida manina" ([ke ˈd͡ʒɛ.li.da maˈni.na]; "What a frozen little hand") [1] is a tenor aria from the first act of Giacomo Puccini's opera, La bohème. The aria is sung by Rodolfo to Mimì when they first meet. In the aria he tells her of his life as a poet, and ends by asking her to tell him more about her life. [2]
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