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The Seasons, Op. 37a [1] (also seen as Op. 37b; Russian: Времена года; published with the French title Les Saisons), is a suite of twelve short character pieces for solo piano by the Russian composer Pyotr Ilyich Tchaikovsky. Each piece is the characteristic of a different month of the year in Russia.
The second movement is a melancholy Andante which lends itself to Tchaikovsky's natural gift for lyricism. It is considerably longer than the two movements that follow it. The third movement is a brief, fast-paced Scherzo, and foreshadows some of the techniques later used by Sergei Rachmaninoff and Alexander Scriabin , mainly in its melodic ...
[2] Op. 1 Two Pieces for piano (1867) Scherzo à la russe in B ♭ major; Impromptu in E ♭ minor; Op. 2 Souvenir de Hapsal, 3 pieces for piano (1867) Op. 3 The Voyevoda, opera (1868) Op. 4 Valse-caprice in D major, for piano (1868) Op. 5 Romance in F minor, for piano (1868) Op. 6 6 Romances (1869), including "None but the lonely heart"
Edvard Grieg – Ballade in the Form of Variations on a Norwegian Folk Song (for piano), Op. 24; Édouard Lalo – Cello Concerto; Gustav Mahler – Piano Quartet movement in A; Bedřich Smetana – String Quartet No. 1 in E minor, From My Life; Pyotr Ilyich Tchaikovsky – The Seasons (for piano), Op. 37a; Charles-Marie Widor – Organ ...
Chromatic mediant from Tchaikovsky's Chant sans paroles, Op. 2, No. 3, mm. 43-45 Play ⓘ. Note ♭ VI in root position and the repeated return to I (D ♭ and F, respectively), characteristic of chromatic mediant root movement. [2] Souvenir de Hapsal consists of three pieces for the piano: [3] Ruines d'un château, E minor; Scherzo, F major
Tchaikovsky's setting of the Divine Liturgy, along with his All-Night Vigil and his nine sacred songs, were of seminal importance in the later interest in Orthodox music. [ 8 ] [ 22 ] [ 23 ] Other composers, encouraged by the freedom created by the new lack of restriction on sacred music, soon followed Tchaikovsky's example. [ 9 ]
for clarinet, 2 violins, viola and cello: arrangement from The Seasons, Op. 37a, by Tchaikovsky: Chamber music: 1993: 枯葉: Les Feuilles mortes (Autumn Leaves) for 2 violins, viola and cello: arrangement of the song by Joseph Kosma: Chamber music: 1994: 鳥が道に降りてきた: A Bird Came down the Walk: for viola and piano: Chamber music ...
Texture rather than form was Tchaikovsky's concern when composing the Second Orchestral Suite, making it very different from its predecessor. [1] One interesting point about the opening movement, Jeu de sons (Play of sounds), according to scholars is that the names of Tchaikovsky's brother Anatoly, his wife and daughter are encrypted in