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Henrik Johan Ibsen (/ ˈ ɪ b s ən /; [1] Norwegian: [ˈhɛ̀nrɪk ˈɪ̀psn̩]; 20 March 1828 – 23 May 1906) was a Norwegian playwright and theatre director.Ibsen is considered the world's pre-eminent dramatist of the 19th century and is often referred to as "the father of modern drama."
Realism was a general movement that began in 19th-century theatre, around the 1870s, and remained present through much of the 20th century. 19th-century realism is closely connected to the development of modern drama, which "is usually said to have begun in the early 1870s" with the "middle-period" work of the Norwegian dramatist Henrik Ibsen ...
Catiline or Catilina was Henrik Ibsen's first play. It was written during winter 1848–49 [1] and first performed under Ibsen's name on 3 December 1881 at the Nya Teatern (New Theater), Stockholm, Sweden. The first performance of Catilina in Norway not under Ibsen's pseudonym (Brynjolf Bjarme) was at Det Nye Teater in Oslo on 24 August 1935.
A Doll's House is a 1992 videotaped television production of the 1879 play of the same name by Henrik Ibsen. It was directed by David Thacker and first broadcast on BBC 2 on 21 November 1992, and was later shown on PBS 's Masterpiece in the United States.
Hedda Gabler (Norwegian pronunciation: [ˈhɛ̂dːɑ ˈɡɑ̀ːblər]) is a play written by Norwegian playwright Henrik Ibsen. The world premiere was staged on 31 January 1891 at the Residenztheater in Munich. Ibsen himself was in attendance, although he remained back-stage. [1]
Pages in category "Plays by Henrik Ibsen" The following 30 pages are in this category, out of 30 total. This list may not reflect recent changes. B. Brand (play)
The problem play is a form of drama that emerged during the 19th century as part of the wider movement of realism in the arts, especially following the innovations of Henrik Ibsen. It deals with contentious social issues through debates between the characters on stage, who typically represent conflicting points of view within a realistic social ...
Ibsen felt similarly, wishing that he had continued writing poetry after Peer Gynt. [11] Irena's outfit is also a reference to one worn by Laura Kieler in her last visit to Ibsen. The author was the basis for A Doll's House, and she resented Ibsen using her life in his work, just as Irena feels violated by Rubek. [12]