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Repeatedly, the terms artistic freedom and freedom of artistic expressions are used as synonyms. Their underlying concepts "art", "freedom" and "expression" comprise very vast fields of discussion: "Art is a very 'subtle'—sometimes also symbolic—form of expression, suffering from definition problems more than any other form."
Form follows function – Design philosophy of 19th–20th centuries; Found object – Non-standard material used in work of art; Found object (music) – Classification of musical instruments; L'art pour l'art – Slogan for art without any didactic, moral or utilitarian function; Sense and reference – Distinction in the philosophy of language
Expression and Expressivity. Expression (Lat. expressio) in architecture implies a clear and authentic displaying of the character or personality of an individual ().The expression is often identified with the architectural movement of Expressionism, whose main starting point and aim is to present and express what has been "seen" or experienced in the inner eye of the mind, heart and soul, i.e ...
The Four Freedoms is a series of four oil paintings made in 1943 by the American artist Norman Rockwell.The paintings—Freedom of Speech, Freedom of Worship, Freedom from Want, and Freedom from Fear—are each approximately 45.75 by 35.5 inches (116.2 by 90.2 cm), [1] and are now in the Norman Rockwell Museum in Stockbridge, Massachusetts.
The arts or creative arts are a vast range of human practices of creative expression, storytelling, and cultural participation. The arts encompass diverse and plural modes of thinking, doing, and being in an extensive range of media. Both dynamic and a characteristically constant feature of human life have developed into stylized and intricate ...
Art for art's sake—the usual English rendering of l'art pour l'art (pronounced [laʁ puʁ laʁ]), a French slogan from the latter half of the 19th century—is a phrase that expresses the philosophy that 'true' art is utterly independent of all social values and utilitarian functions, be they didactic, moral, or political.
Rereadings into abstract art, done by art historians such as Linda Nochlin, [32] Griselda Pollock [33] and Catherine de Zegher [34] critically shows, however, that pioneer women artists who have produced major innovations in modern art had been ignored by the official accounts of its history, but finally began to achieve long overdue ...
In Freedom of Expression®, Kembrew McLeod discusses the concept of freedom of expression regarding cultural norms and the manner in which society allows corporations to influence discourse. [10] McLeod discusses his own pranks, such as his 1998 registration of the phrase "freedom of expression" as a trademark. [10]