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Ludwig van Beethoven's Piano Sonata No. 26 in E ♭ major, Op. 81a, known as Les Adieux ("The Farewell"), was written during the years 1809 and 1810. This sonata was influenced by Jan Ladislav Dussek's sonata with the same nickname. The title Les Adieux implies a programmatic nature.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Jan Ladislav Dussek's Piano Sonata No. 18 in E ♭ major, Op. 44, known as Les Adieux ("The Farewell"), was written and published in 1800. It was dedicated to Dussek's fellow composer and virtuoso pianist, Muzio Clementi. This sonata is the longest of Dussek's piano sonatas.
A player piano roll being played Mastertouch Australian Dance Gems piano roll with lyrics printed to side. A piano roll is a music storage medium used to operate a player piano, piano player or reproducing piano. Piano rolls, like other music rolls, are continuous rolls of paper with holes punched into them. These perforations represent note ...
The Piano Sonata No. 32 in C minor, Op. 111, is the last of Ludwig van Beethoven's piano sonatas. The work was written between 1821 and 1822. Like other late period sonatas, it contains fugal elements. It was dedicated to his friend, pupil, and patron, Archduke Rudolf. The sonata consists of two contrasting movements.
A tack piano (also known as a harpsipiano, jangle piano, and junk piano) is an altered version of an ordinary piano, in which objects such as thumbtacks or nails are placed on the felt-padded hammers of the instrument at the point where the hammers hit the strings, giving the instrument a tinny, more percussive sound. It is used to evoke the ...
prepared piano, i.e. introducing foreign objects into the workings of the piano to change the sound quality; string piano, i.e. hitting or plucking the strings directly or any other direct manipulation of the strings; sound icon, i.e. placing a piano on its side and bowing the strings with horsehair and other materials
The Piano Sonata No. 2 was written during a time where the sonata lost its overpowering dominance. While the sonatas of Beethoven and Mozart comprised a considerable portion of their compositional output, this is not true of the next generation of composers: Franz Liszt only wrote one sonata among his dozens of instrumental compositions, Robert Schumann seven (eight if including the Fantasie ...
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