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In geometry, a golden rectangle is a rectangle with side lengths in golden ratio +:, or :, with approximately equal to 1.618 or 89/55. Golden rectangles exhibit a special form of self-similarity : if a square is added to the long side, or removed from the short side, the result is a golden rectangle as well.
where φ = 1 + √ 5 / 2 is the golden ratio. Therefore, the circumradius of this rhombicosidodecahedron is the common distance of these points from the origin, namely √ φ 6 +2 = √ 8φ+7 for edge length 2. For unit edge length, R must be halved, giving R = √ 8φ+7 / 2 = √ 11+4 √ 5 / 2 ≈ 2.233.
A form is an artist's way of using elements of art, principles of design, and media. Form, as an element of art, is three-dimensional and encloses space. Like a shape, a form has length and width, but it also has depth. Forms are either geometric or free-form, and can be symmetrical or asymmetrical.
A dynamic rectangle is a right-angled, four-sided figure (a rectangle) with dynamic symmetry which, in this case, means that aspect ratio (width divided by height) is a distinguished value in dynamic symmetry, a proportioning system and natural design methodology described in Jay Hambidge's books.
Many works of art are claimed to have been designed using the golden ratio. However, many of these claims are disputed, or refuted by measurement. [1] The golden ratio, an irrational number, is approximately 1.618; it is often denoted by the Greek letter φ .
Biomorphist art focuses on the power of natural life and uses organic shapes, with shapeless and vaguely spherical hints of the forms of biology. Biomorphism has connections with Surrealism and Art Nouveau .
Rabatment of the rectangle is a compositional technique used as an aid for the placement of objects or the division of space within a rectangular frame, or as an aid for the study of art. Every rectangle contains two implied squares, each consisting of a short side of the rectangle, an equal length along each longer side, and an imaginary ...
On Growth and Form is a book by the Scottish mathematical biologist D'Arcy Wentworth Thompson (1860–1948). The book is long – 793 pages in the first edition of 1917, 1116 pages in the second edition of 1942.