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Historian Susan L. Smith defines the "power of woman" as "the representational practice of bringing together at least two, but usually more, well-known figures from the Bible, ancient history or romance to exemplify a cluster of interrelated themes that include the wiles of woman, the power of love and the trials of marriage. [6]
Judith with the Head of Holofernes by Lucas Cranach the Elder, 1530 15th-century aquamanile with Phyllis riding Aristotle [1] Jacopo Amigoni, Jael and Sisera, 1739. The "Power of Women" (German: Weibermacht) is a medieval and Renaissance artistic and literary topos, showing "heroic or wise men dominated by women", presenting "an admonitory and often humorous inversion of the male-dominated ...
Lady Lilith is an oil painting by Dante Gabriel Rossetti first painted in 1866–1868 using his mistress Fanny Cornforth as the model, then altered in 1872–73 to show the face of Alexa Wilding. [1] The subject is Lilith , who was, according to ancient Judaic myth, "the first wife of Adam " and is associated with the seduction of men and the ...
Finding two women in a film talking to each other about anything except men was as rare as finding yetis in the wild. In Williams’ painting, two grinning female yetis walk arm-in-arm.
The painting shows the three brothers on the left, the Horatii father in the center, and the three women along with two children on the right. The Horatii brothers are depicted swearing upon (saluting) their swords as they take their oath. The men show no sense of emotion. Even the father, who holds up three swords, shows no emotion.
Léon Davent, Etching, c.1541/45, after Francesco Primaticcio.341 x 231 mm. Timoclea was a rare subject in art from the Renaissance onwards, never becoming a regular subject in the range of incidents showing classical and biblical female violence against men known as the Power of Women topos.
An episode of the British television crime series Endeavour (2018) depicts a series of murders inspired by Artemisia's biblical paintings of women taking vengeance on the men who harmed or abused them. [61] Artemisia was the subject of a 2015 BBC documentary, Michael Palin's Quest for Artemisia. [77]
The painting displays a bourgeois woman at the opera house looking through her opera glasses, while a man in the background looks at her. [2] The woman's costume and fan make clear her upper class status. [2] Art historians see the painting as commentary on the role of gender, looking, and power in the social spaces of the nineteenth century.
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