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The focal point F and focal length f of a positive (convex) lens, a negative (concave) lens, a concave mirror, and a convex mirror.. The focal length of an optical system is a measure of how strongly the system converges or diverges light; it is the inverse of the system's optical power.
where t is the total depth of focus, N is the lens f-number, c is the circle of confusion, v is the image distance, and f is the lens focal length. In most cases, the image distance (not to be confused with subject distance) is not easily determined; the depth of focus can also be given in terms of magnification m:
35 mm equivalent focal lengths are calculated by multiplying the actual focal length of the lens by the crop factor of the sensor. Typical crop factors are 1.26× – 1.29× for Canon (1.35× for Sigma "H") APS-H format, 1.5× for Nikon APS-C ("DX") format (also used by Sony, Pentax, Fuji, Samsung and others), 1.6× for Canon APS-C format, 2× for Micro Four Thirds format, 2.7× for 1-inch ...
The image sensor format of a digital camera determines the angle of view of a particular lens when used with a particular sensor. Because the image sensors in many digital cameras are smaller than the 24 mm × 36 mm image area of full-frame 35 mm cameras, a lens of a given focal length gives a narrower field of view in such cameras.
where f is the focal length of the lens. [1] Note that this measurement is valid only when the beam size is measured at the rear focal plane of the lens, i.e. where the focus would lie for a truly collimated beam, and not at the actual focus of the beam, which would occur behind the rear focal plane for a divergent beam.
Instead, the angular aperture of a lens (or an imaging mirror) is expressed by the f-number, written f /N, where N is the f-number given by the ratio of the focal length f to the diameter of the entrance pupil D: =. This ratio is related to the image-space numerical aperture when the lens is focused at infinity. [3]
The effect is especially noticeable the closer the camera is to the subject, as its amount increases the shorter the focal length is at the same field size. One notable director that frequently employs rectilinear ultra wide angle lenses in order to achieve a distinctive signature style defined by extreme perspective distortion is Terry Gilliam.
The effective focal length is nearly equal to the stated focal length of the lens (F), except in macro photography where the lens-to-object distance is comparable to the focal length. In this case, the absolute transverse magnification factor ( m ) ( m = S 2 / S 1 {\displaystyle m=S_{2}/S_{1}} ) must be taken into account: