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Some triplets (called clone triplets) are the same image repeated with slight alterations (for example toned to different colors, or mixed color and monochromatic photos) or, more rarely, seemingly identical images with minor, detailed changes. Triplets are usually framed together or, in galleries, mounted near each other on the wall.
Blue-green pigment gum bichromate over platinum print [s 2] The Pond—Moonlight: 1904 Edward Steichen: Mamaroneck, New York, United States Multiple gum bichromate print over platinum Pictorialist hand-colored photograph; only three versions exist. In 2006, a print became the most expensive photo sold. [30] [31] [s 3] An Oasis in the Badlands: 1905
This WikiProject aims at improving articles about the history of photography. "History" includes contemporary history. As in other fields, making photographs for a living does not qualify someone as a subject for Wikipedia. The emphasis in this Project is on the photographs that result from cameras, darkrooms, printers and other gizmos, not on ...
The Arts (concentrating on photography's evolution throughout the 19th century and its later application to cultural exploitation); Society (documenting images that captured moments that shifted public acquaintance with political, social, cultural and environmental issues); War (pivotal moments of conflict and associated violence); and
Triple exposure photograph from 1915. In photography and cinematography, multiple exposure is a technique in which the camera shutter is opened more than once to expose the film multiple times, usually to different images. The resulting image contains the subsequent image/s superimposed over the original.
Despite some unflattering images, however, photography was establishing a new standard for visual representation. The portrait's most treasured quality was that it was an exactly corresponding record of what had existed in front of the lens. [2] In addition to the private aspect of portraiture, there was a public one.
Semiotics of photography is the observation of symbolism used within photography or "reading" the picture. This article refers to realistic, unedited photographs not those that have been manipulated in any way. Roland Barthes was one of the first people to study the semiotics of images. He developed a way to understand the meaning of images.
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it.