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Song of Love is a 1947 American biopic film about the relationship between renowned 19th-century musicians Clara Wieck Schumann (Katharine Hepburn) and Robert Schumann (Paul Henreid). The film, which also stars Robert Walker and Leo G. Carroll, was directed by Clarence Brown and released by Metro-Goldwyn-Mayer.
This song, whose title means 'dedication', is famous for its lyrical expression of Schumann's love for Clara. It has been arranged several times, most famously by Liszt for solo piano, and it appears thematically in the biographical film Song of Love. [1] [2] 2. Freisinn; text by Goethe 3. Der Nussbaum; text by Julius Mosen 4.
Song of Love may refer to: Song of love or love song, a song about falling in love; The Song of Love; Song of Love, a film starring Belle Baker and Ralph Graves; The Song of Love; Song of Love, a film starring Katharine Hepburn and Paul Henreid; A Song of Love (Un chant d'amour), a 1950 film by Jean Genet
Robert Schumann. This list of compositions by Robert Schumann is classified into piano, vocal, orchestral and chamber works. All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. The list is based on ...
It was composed by Walter Schumann for the radio show, and was also used on the subsequent television series and later syndication of the TV series under the name "Badge 714". The theme is in two parts: an opening signature "Main Title" ("Dum - - - de - DUM - DUM") and the " Dragnet March " used over the end credits.
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"Song of Love" is a song recorded during an informal performance by Paul McCartney, singing and playing the piano at Twickenham Film Studios during the "Get Back Sessions" which were used to later produce both the Let It Be film and the album of the same name.
This song's title means 'spring night'. It was the most popular of the cycle's twelve during Schumann's lifetime, and one of the most popular Lieder of all the nineteenth century. The text's themes of nature and Romantic ecstasy in love, typical of Eichendorff, were dear to Schumann, and the song has captured the imaginations of many composers ...