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Shisa (シーサー, shīsā) is a traditional Ryukyuan cultural artifact and decoration derived from Chinese guardian lions, often seen in similar pairs, resembling a cross between a lion and a dog, from Okinawan mythology. Shisa are wards, believed to protect from some evils.
Kariyushi shirts manufactured in Okinawa for local Okinawan residents are usually adorned with characteristic Okinawan designs found in traditional Okinawan arts, shisa temple guardian designs, and simple floral patterns in muted colors. They are often used to promote tourism in Okinawa, and have been established in replacing the standard white ...
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Shisa statues can often be seen on or in front of houses—this relates to the ancient Ryukyuan belief that the male spirit is the spirit of the outside and the female spirit is the spirit of the inside. Godhood is mimicked with many attributes, and its in ease without any underlying symbolic order.
Okinawan (沖縄口, ウチナーグチ, Uchināguchi, [ʔut͡ɕinaːɡut͡ɕi]), or more precisely Central Okinawan, is a Northern Ryukyuan language spoken primarily in the southern half of the island of Okinawa, as well as in the surrounding islands of Kerama, Kumejima, Tonaki, Aguni and a number of smaller peripheral islands. [3]
Legends of Okinawa by Sesoku Chizue. First publication, Okinawa, 1969. Hard-to-find collection of legends and folk tales. The Ghosts of Okinawa by Jayne Hitchcock. MHS Printing, April, 2000. ISBN 978-4-9900359-5-2. A short collection of ghost stories from around Okinawa. More information available at the author's website. Ouwehand, C. (1985).
In 1954, Jirō Kinjō, a potter from Tsuboya, became the first Okinawan to be named a Living National Treasure. In addition to dishes, vessels, and roof tiles, Ryukyuan pottery is especially known for the production of funerary urns, and shisa, lion-like guardians placed on rooftops and at gates to protect homes and other spaces from evil spirits.
Illustration of woman wearing dujin (top) and kakan (skirt).. The ryusou shows a combination of Chinese and Japanese influences as well as local, native originality. [7] Robes which crossed in the front was worn by both the working and upper classes; however, they differed in length (from knee to ankle length). [7]