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Sinfonia (Underworld): reprise Orfeo Possente spirto e formidabil nume ("Mighty spirit and powerful divinity") With ritornelli Caronte Ben mi lusinga alquanto ("Much I am flattered") Orfeo Ahi, sventurato amante ("Ah, unhappy lover that I am") In two sections; the Underworld sinfonia plays at the end of each section
Sinfonia (IPA: [siɱfoˈniːa]; plural sinfonie) is the Italian word for symphony, from the Latin symphonia, in turn derived from Ancient Greek συμφωνία symphōnia (agreement or concord of sound), from the prefix σύν (together) and Φωνή (sound).
The iPhone 15 and iPhone 15 Plus are smartphones developed and marketed by Apple. They are the seventeenth generation of iPhones, succeeding the iPhone 14 and iPhone 14 Plus. The devices were announced on September 12, 2023, during the Apple Event at Apple Park in Cupertino, California alongside the higher-priced iPhone 15 Pro and 15 Pro Max ...
This is a list of the operas written by the Italian composer Alessandro Scarlatti (1660–1725).. Scarlatti wrote 45 drammi per musica, also 7 melodrammi, 2 commedia per musica (or opere buffe), 2 opere drammatice, 2 favole boscherecce, 2 tragedie in musica, 1 commedia, 1 dramma pastorale, and 1 dramma sacro per musica.
Niccolò Jommelli (Italian: [nikkoˈlɔ jomˈmɛlli]; 10 September 1714 – 25 August 1774) was an Italian composer of the Neapolitan School.Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including reducing ornateness of style and the primacy of star singers somewhat.
The musica instrumentalis begins with the overture used in the opera and is quickly followed by the march that opens act 2 and, later on, the refrain and first episode in the witch-trial scene. The music used in the second movement is extracted from act 2 of the opera, where Kepler, speaking to his future wife, expresses his gratitude for her ...
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The more modern sinfonia type was firmly established in Torelli's second publication to include concertos, Op. 6 (1698), and in Giulio Taglietti's Concerti a Quattro, Op. 4 (1699), which turn to the three-movement (fast-slow-fast) pattern and more homophonic texture familiar to us from the solo concerto and opera sinfonia.