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Three studies of old men's heads: About 1630 B015: 5: Self portrait in a cloak with a falling collar: bust: 1630-1631 B366: 1: Sheet of studies of men's heads: About 1630-31 B007: 11: Self portrait in a soft hat and embroidered cloak: 1631 B016: 1: Self portrait in a heavy fur cap: bust: 1631 B134: 3: Old woman seated in a cottage with a string ...
Rembrandt and workshop. Companion piece to 132b Portrait of Petronella Buys: 1635: Oil on panel: 78.8 x 65.3: Leiden Collection, New York: 132b: Rembrandt and workshop. Companion piece to 132a Portrait of a Man in a Slouched Hat and Bandoleer: 1635: Oil on canvas: 78.5 x 65.7: Kawamura Memorial DIC Museum of Art, Sakura: 133a: Rembrandt and/or ...
Seen in terms of Rembrandt's style alone, about 1639-40 seems more likely. [2] As in many of Rembrandt's actual self-portraits, the subject wears fanciful dress that suggests the 16th rather than the 17th century. The gorget was contemporary wear for a soldier, included in a number of Rembrandt's tronie self-portraits. [3]
The dozens of self-portraits by Rembrandt were an important part of his oeuvre. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject (mostly etchings) or the artist (mostly paintings), or the ...
It measures 39.8 by 29.4 centimetres (15.7 in × 11.6 in) and is held in a private collection. It is believed to be the earliest extant single-figure painting by Rembrandt. The work was painted when Rembrandt was in his early twenties working in Leiden. X-ray analysis shows that it was painted over an earlier work depicting the head of an old man.
Despite extensive research, the sitter and earlier owners of this painting are unknown. Surface examination has shown that the date Hofstede de Groot saw had disappeared by the 1950s, and the overall condition of the painting is rather abraded. The shading of the eyes under the hat is characteristic of Rembrandt's work in the 1650s.
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