Search results
Results from the WOW.Com Content Network
Extreme example of ornamentation as a fioritura from Chopin's Nocturne in D ♭ major. In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity ...
Ornaments are a decorative embellishment to music, either to a melody or to an accompaniment part such as a bassline or chord. Sometimes different symbols represent the same ornament, or vice versa. Different ornament names can refer to an ornament from a specific area or time period.
In Western music and music theory, diminution (from Medieval Latin diminutio, alteration of Latin deminutio, decrease) has four distinct meanings. Diminution may be a form of embellishment in which a long note is divided into a series of shorter, usually melodic, values (also called "coloration"; Ger. Kolorieren).
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Symbols and execution of double backfall (two comma-like marks) and elevation (the + sign), from Chelys, or the Division Violist by Christopher Simpson (1665) Portion of a table of embellishments and their execution showing the coulé as a slur-like marking between notes – from D'Anglebert's Pièces de Clavessin (1689)
the florid embellishment of melodic lines, either notated by a composer or improvised during a performance. flat A symbol (♭) that lowers the pitch of a note by a semitone. Also an adjective to describe a singer or musician performing a note in which the intonation is an eighth or a quarter of a semitone too low. flautando
Improvisation by means of spontaneous variations, ornaments, embellishments and/or alterations to a melody is the basis of most sub-Saharan African music (traditional and pop) extending from melody and harmony to form and rhythmic embellishments.
In European classical music, "[t]he greater use of dissonance from period to period as a result of the dialectic of linear/vertical forces led to gradual normalization of ninth, eleventh, and thirteenth chords [in analysis and theory]; each additional non-chord tone above the foundational triad became frozen into the chordal mass." [2]