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Extreme example of ornamentation as a fioritura from Chopin's Nocturne in D ♭ major. In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity ...
Ornaments are a decorative embellishment to music, either to a melody or to an accompaniment part such as a bassline or chord. Sometimes different symbols represent the same ornament, or vice versa. Different ornament names can refer to an ornament from a specific area or time period.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In Western music and music theory, diminution (from Medieval Latin diminutio, alteration of Latin deminutio, decrease) has four distinct meanings. Diminution may be a form of embellishment in which a long note is divided into a series of shorter, usually melodic, values (also called "coloration"; Ger. Kolorieren).
In The Interpretation of Early Music, Robert Donington surveys many treatises to ascertain the history of the slide. [1] Writing in 1654, John Playford noted that the slide can be used in ascending (he called it "elevation") or in descending (he called it "double backfall") forms. [1]
[4] For example, if an excerpt from a piece of music implies or uses a C-major chord, then the notes C, E and G are members of that chord, while any other note played at that time (e.g., notes such as F ♯) is a nonchord tone. Such tones are most obvious in homophonic music but occur at least as frequently in contrapuntal music.
A roulade (from Old French roler, "to roll") is a type of music ornamentation. [1] The term has been used with some variation in meaning. [1] While the term has had some usage in instrumental music, it is most frequently used in the context of vocal music to refer to a florid embellishment of several musical notes sung on a single syllable.
Vocal music of the classical tradition has included a variety of ornaments known as trills since the time of Giulio Caccini. In the preface to his Le nuove musiche , he describes both the "shake" (what is commonly known today as the trill) and the "trill" (now often called a Baroque or Monteverdi trill).
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