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14th-century Islamic ornament in ivory, centred on a palmette; Alois Riegl's Stilfragen (1893) traced the evolution and transmission of such motifs.. Classical art criticism and the relatively few medieval writings on aesthetics did not greatly develop a concept of style in art, or analysis of it, [12] and though Renaissance and Baroque writers on art are greatly concerned with what we would ...
The difficulty in defining such a style is admitted by Houédard's statement that "a printed concrete poem is ambiguously both typographic-poetry and poetic-typography". [24] Ian Hamilton Finlay sculpture in Stuttgart, 1975; the word schiff (ship) is carved in reverse and can only be decoded when reflected on water
American verismo describes an artistic style of American literature, music, or painting influenced and inspired by artistic ideas that began in 19th-century Italian culture, movements that used motifs from everyday life and working class persons from both urban and rural situations. American composers, writers, painters, and poets have used ...
The Nuttall Encyclopedia, for example, described belles-lettres as the "department of literature which implies literary culture and belongs to the domain of art, whatever the subject may be or the special form; it includes poetry, the drama, fiction, and criticism," [1] while the Encyclopædia Britannica Eleventh Edition describes it as "the ...
Lyricism is a term used to describe a piece of art considered to have deep emotions. [1] Its origin is found in the word lyric, derived via Latin lyricus from the Greek λυρικός (lurikós), [2] the adjectival form of lyre. [3] It is often employed to relate to the capability of a lyricist.
Where the main subject of an artistic work - such as a painting - is a specific person, group, or moment in a narrative, that should be referred to as the "subject" of the work, not a motif, though the same thing may be a "motif" when part of another subject, or part of a work of decorative art - such as a painting on a vase.
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The word ekphrasis, or ecphrasis, comes from the Greek for the written description of a work of art produced as a rhetorical or literary exercise, [1] often used in the adjectival form ekphrastic. It is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined. Thus, "an ekphrastic poem is a vivid description ...