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Contents. Blue in culture. Goblet from Mesopotamia, 1500–1300 BC glazed with Egyptian blue. This was the first synthetic blue, first made in about 2500 BC. The color blue has been important in culture, politics, art and fashion since ancient times. Blue was used in ancient Egypt for jewelry and ornament. [ 1 ]
Color symbolism. Color symbolism in art, literature, and anthropology refers to the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [1] and even within the same culture in different time periods. [2] The same color may have very different ...
Color in Chinese culture. Chinese culture attaches certain values to colors, such as considering some to be auspicious (吉利) or inauspicious (不利). The Chinese word for 'color' is yánsè (顏色). In Literary Chinese, the character 色 more literally corresponds to 'color in the face' or 'emotion'. It was generally used alone and often ...
Color psychology is the study of colors and hues as a determinant of human behavior. Color influences perceptions that are not obvious, such as the taste of food. Colors have qualities that can cause certain emotions in people. [1] How color influences individuals may differ depending on age, gender, and culture. [2]
In a painting where different parts of the composition are blue, green and red, the blue will appear to be more distant, and the red closer to the viewer. The cooler a colour is, the more distant it seems. [35] Blue light is scattered more than other wavelengths by the gases in the atmosphere, hence our "blue planet".
The ace ring, a black ring worn on the middle finger of one's right hand, is a way asexual people signify their asexuality. The ring is deliberately worn in a similar manner as one would a wedding ring to symbolize marriage. Use of the symbol began in 2005. [68][69] Aro ring, meant to be worn on the left middle finger.
Human cultures use symbols to express specific ideologies and social structures and to represent aspects of their specific culture. Thus, symbols carry meanings that depend upon one's cultural background. As a result, the meaning of a symbol is not inherent in the symbol itself but is culturally learned. [4]
The three Italian national colours carved on the floor of the Palazzo delle Poste in Florence. After their appearance in Genoa on 21 August 1789, red, white and green gradually became part of the Italian collective imagination until they were represented in the most varied areas. The national colours of Italy are green, white, and red, [1 ...