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Parthenon Frieze. The Parthenon frieze is the high-relief Pentelic marble sculpture created to adorn the upper part of the Parthenon 's naos. It was sculpted between c. 443 and 437 BC, [1] most likely under the direction of Phidias. Of the 160 meters (524 ft) of the original frieze, 128 meters (420 ft) survives—some 80 percent. [2]
Detail of the tomb of Sir Ralph Fitzherbert, d. 1483, showing some of his children.. The sculpture industry evolved to produce two main forms, panels and statues. Thin panels carved in high relief, typically about 40 cm by 25 cm in size, usually come from series covering the Passion or Life of Christ which were mounted in a wooden framework as altarpieces, or used by the wealthy as domestic ...
Stela H, a high-relief in-the-round sculpture from Copán in Honduras Maya stelae (singular stela ) are monuments that were fashioned by the Maya civilization of ancient Mesoamerica . They consist of tall, sculpted stone shafts and are often associated with low circular stones referred to as altars, although their actual function is uncertain ...
The reliefs of Trajan's Column produced in this period are considered not only masterpieces of Roman civilization, but of ancient art in general. [1] Reliefs on the Trajan's Column. The spiral-shaped column covered with reliefs was an absolute novelty in ancient art and became the most avant-garde arrival point of the Roman historical relief ...
Louise Nevelson pioneered the emerging genre of environmental sculpture. However, during this period a group of American sculptors persisted in creating works in their pre-war, modern/classical-style. These include Milton Horn, Donal Hord, Charles Umlauf, Joseph Erhardy, and John Henry Waddell.
In the unfinished tondo only the heads of Mary and of the baby Jesus are in high relief. Mary is depicted with an open book on her knees. Detail of her eyes is not complete, as in the typical style of Michelangelo, but interpretations suggest that her gaze seems distracted, as if she is looking into the distance and meditating on the fate of her son that is foretold in the scriptures she is ...
Antonio del Pollaiuolo (UK: / ˌ p ɒ l aɪ ˈ w oʊ l oʊ / POL-eye-WOH-loh, [1] US: / ˌ p oʊ l-/ POHL-, [2] Italian: [anˈtɔːnjo del pollaˈjwɔːlo]; 17 January 1429/1433 – 4 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian Renaissance painter, sculptor, engraver, and goldsmith, who made important works in all ...
Detail. The high-relief of the " Tarquinia Winged Horses" is a fragment of the colonnade that supported the pediment of the most important temple of the ancient Etruscan city of Tarquínia, at the Ara della Regina, better known as the Major Temple of Tarquínia. Nowadays situated at the Province of Viterbo (region of Lazio, Italy). [1][2]
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