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The Constitution [12] is composed of 139 articles (five of which were later abrogated) and arranged into three main parts: Principi Fondamentali, the Fundamental Principles (articles 1–12); Part I concerning the Diritti e Doveri dei Cittadini, or Rights and Duties of Citizens (articles 13–54); and Part II the Ordinamento della Repubblica ...
The main elements of Italian culture are its art, music, cinema, style, and food. Italy was the birthplace of opera, [6] and for generations the language of opera was Italian, irrespective of the nationality of the composer.
The Constitution of the Italian Republic [22] is composed of 139 articles (five of which were later abrogated) and arranged into three main parts: Principi Fondamentali, the Fundamental Principles (articles 1–12); Part I concerning the Diritti e Doveri dei Cittadini, or Rights and Duties of Citizens (articles 13–54); and Part II the ...
In the context of Italian design, it is about Italian-born design and development in various fields such as silks San Leucio and workshops Pietrarsa, shipyards of Castellammare di Stabia. The rest of Italy was characterized by fragmented political and geographical condition but industrialization was significantly present in other pre-unitary ...
Thus, Italian art went through a series of minor and major changes in style. The Italian Neoclassicism was the earliest manifestation of the general period known as Neoclassicism and lasted more than the other national variants of neoclassicism. It developed in opposition to the Baroque style around c.1750 and
In Italy, the National Academy (Accademia Nazionale) certifies masters in both historical fencing and modern fencing based on careful adherence to the principles of Italian swordsmanship. Abroad, the Italian style is cultivated by professional institutions such as the San Jose State fencing program (California, United States), where Maestro ...
The cultural and artistic events of Italy during the period 1500 to 1599 are collectively referred to as the Cinquecento (/ ˌ tʃ ɪ ŋ k w ɪ ˈ tʃ ɛ n t oʊ /, [1] [2] [3] Italian: [ˌtʃiŋkweˈtʃɛnto]), from the Italian for the number 500, in turn from millecinquecento, which is Italian for the year 1500.
The principles of this new style were published in 1914 in the Manifesto dell'Architettura Futurista (Manifesto of Futurist Architecture) by Antonio Sant'Elia. The Italian group of architects Gruppo 7 (1926) embraced Rationalist and Modernist principles.