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The city of Venice in Italy has played an important role in the development of the music of Italy.The Venetian state—i.e. the medieval and Early Modern Maritime Republic of Venice—was often popularly called the "Republic of Music", and an anonymous Frenchman of the 17th century is said to have remarked that "In every home, someone is playing a musical instrument or singing.
The Venetian polychoral style was a type of music of the late Renaissance and early Baroque eras which involved spatially separate choirs singing in alternation. It represented a major stylistic shift from the prevailing polyphonic writing of the middle Renaissance, and was one of the major stylistic developments which led directly to the ...
The city of Venice in Italy has played an important role in the development of the music of Italy.The Venetian state—i.e. the medieval Maritime Republic of Venice—was often popularly called the "Republic of Music", and an anonymous Frenchman of the 17th century is said to have remarked that "In every home, someone is playing a musical instrument or singing.
Gabrieli's Sonata pian ’e forte is a through-composed work, the structure of which is defined by dialogue between the two instrumental choirs. The formal division into an initial section (mm. 1–31), a longer, relatively complex middle section (mm. 31–71) and a final section (mm. 71–81) conforms to the conventions prevalent at the time.
In music history, the Venetian School was the body and work of composers working in Venice from about 1550 to around 1610, many working in the Venetian polychoral style.The Venetian polychoral compositions of the late sixteenth century were among the most famous musical works in Europe, and their influence on musical practice in other countries was enormous.
A barcarolle is characterized by a rhythm reminiscent of the gondolier's stroke, almost invariably in 6/8 metre at a moderate tempo. [2]While the most-famous barcarolles are from the Romantic period, the genre was known well enough in the 18th century for Burney to mention, in The Present State of Music in France and Italy (1771), that it was a celebrated form cherished by "collectors of good ...
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Giasone (Jason) is an opera in three acts and a prologue with music by Francesco Cavalli and a libretto by Giacinto Andrea Cicognini. It was premiered at the Teatro San Cassiano, Venice on 5 January 1649, during carnival. The plot is loosely based on the story of Jason and the golden fleece, but the opera contains many comic elements too.