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The Benin Bronzes are more naturalistic than most African art of the period. The bronze surfaces are designed to highlight contrasts between light and metal. [92] The features of many of the heads are exaggerated from natural proportions, with large ears, noses, and lips, which are shaped with great care. [93]
The origins of African art lie long before recorded history. The region's oldest known beads were made from Nassarius shells and worn as personal ornaments 72,000 years ago. [6] In Africa, evidence for the making of paints by a complex process exists from about 100,000 years ago [7] and of the use of pigments from around 320,000 years ago.
Before the Berlin Conference of 1885, traders and explorers to Africa purchased or stole art as souvenirs and curios, [4] spreading beyond the coast; ivory objects made along African coasts had been collected for centuries, and many were made by Africans for purchase by Europeans, mainly in areas reached by the Portuguese, such as the Afro-Portuguese ivories.
Much of the art of the Yoruba, including staffs, court dress, and beadwork for crowns, is associated with the royal courts. The courts also commissioned numerous architectural objects such as veranda posts, gates, and doors that are embellished with carvings. Other Yoruba art is related shrines and masking traditions. The Yoruba worship a large ...
Benin art is the art from the Kingdom of Benin [1] or Edo Empire (1440–1897), a pre-colonial African state located in what is now known as the Southern region of Nigeria. [2] Primarily made of cast bronze and carved ivory , Benin art was produced mainly for the court of the Oba of Benin – a divine ruler for whom the craftsmen produced a ...
Odinigwe Benedict Chukwukadibia Enwonwu // ⓘ MBE (14 July 1917 – 5 February 1994), better known as Ben Enwonwu, was a Nigerian painter and sculptor. [1] Arguably the most influential African artist of the 20th century, his pioneering career opened the way for the postcolonial proliferation and increased visibility of modern African art.
Pair of Italian figures in painted wood, 18th century "Moor with Emerald Cluster" by Balthasar Permoser in the collection of the Grünes Gewölbe. Blackamoor is a type of figure and visual trope in European decorative art, typically found in works from the Early Modern period, depicting a man of sub-Saharan African descent, usually in clothing that suggests high status.
Nkyinkim by Kwame Akoto-Bamfo at the National Memorial for Peace and Justice that opened in 2018 in Montgomery, Alabama. Kwame Akoto-Bamfo (born 1983) is a multi-disciplinary artist, educator and activist, known for his sculptures and massive body of works dedicated to the memory, healing and Restorative Justice for people of African descent.
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