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Trees in Chinese mythology and culture tend to range from more-or-less mythological such as the Fusang tree and the Peaches of Immortality cultivated by Xi Wangmu to mythological attributions to such well-known trees, such as the pine, the cypress, the plum and other types of prunus, the jujube, the cassia, and certain as yet unidentified trees.
Acacia s.l. (pronounced / ə ˈ k eɪ ʃ ə / or / ə ˈ k eɪ s i ə /), known commonly as mimosa, acacia, thorntree or wattle, [2] is a polyphyletic genus of shrubs and trees belonging to the subfamily Mimosoideae of the family Fabaceae. It was described by the Swedish botanist Carl Linnaeus in 1773 based on the African species Acacia nilotica.
Iusaaset was associated with the acacia tree and acacias stood at the sanctuary dedicated to Iusaaset at Heliopolis. [3] The process of creation was said to have begun when Atum masturbated, or copulated with himself, to produce the deities Shu and Tefnut, thus beginning the process of creation. The hand he used in this act was personified as a ...
The Jade Emperor and his wife Xi Wangmu (Queen Mother of the West) ensured the deities' everlasting existence by feasting them with the peaches of immortality. The immortals residing in the palace of Xi Wangmu were said to celebrate an extravagant banquet called the "Feast of Peaches" (Chinese: 蟠桃會; pinyin: Pántáo Huì; Cantonese Yale: pùhn tòuh wúih, or Chinese: 蟠桃勝會 ...
Chinese mythology (traditional Chinese: 中國神話; simplified Chinese: 中国神话; pinyin: Zhōngguó shénhuà) is mythology that has been passed down in oral form or recorded in literature throughout the area now known as Greater China. Chinese mythology encompasses a diverse array of myths derived from regional and cultural traditions.
Yggdrasil, the World Ash of Norse mythology. The world tree, with its branches reaching up into the sky, and roots deep into the earth, can be seen to dwell in three worlds—a link between heaven, the earth, and the underworld, uniting above and below. This great tree acts as an axis mundi, supporting or holding up
An origin myth for the lunar phases was that a great forest or great tree grew there, swiftly growing and losing leaves and blossoms over the course of each month. After the expansion of the Chinese cultural area south of the Yangtze during the Qin and Han dynasties, the lunar trees became associated with the fragrant and white-blossoming Osmanthus fragrans.
Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion (Yang et al 2005, 4). Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which presents a more mythological version (Yang et al 2005, 12–13).