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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Henry Louis Gates Jr., in his essay "Writing 'Race' and the Difference It Makes", [4] uses Eliot's dissociation of sensibility in reference to the presence of race in literature. Gates thinks race has lost its voice in contemporary literature, and that modern critics do not see race as a factor of more than intrinsic value in literary theory.
The Victorian period represented the high point of the dramatic monologue in English poetry. Alfred, Lord Tennyson 's Ulysses , published in 1842, has been called the first true dramatic monologue. After Ulysses , Tennyson's most famous efforts in this vein are Tithonus , The Lotos-Eaters, and St. Simon Stylites, all from the 1842 Poems ; later ...
Catharsis is from the Ancient Greek word κάθαρσις, katharsis, meaning "purification" or "cleansing", commonly used to refer to the purification and purgation of thoughts and emotions by way of expressing them. The desired result is an emotional state of renewal and restoration.
The term seeks to describe a complex experience, since structures of feeling capture something formative and difficult to articulate in ordinary language. [ 1 ] [ 2 ] For Williams, a structure of feeling is “a kind of feeling and thinking which is indeed social and material, but each in an embryonic phase before it can become fully articulate ...
Sentimental novels also gave rise to the subgenre of domestic fiction in the early nineteenth century, commonly called conduct novels. The story's hero in domestic fiction is generally set in a domestic world and centers on a woman going through various types of hardship, and who is juxtaposed with either a foolish and passive or a woefully ...
The mood of a piece of literature is the feeling or atmosphere created by the work, or, said slightly differently, how the work makes the reader feel. Mood is produced most effectively through the use of setting, theme, voice and tone, while tone is how the author feels about something.
The psychological literature has distinguished between several different forms of ambivalence. [4] One, often called subjective ambivalence or felt ambivalence, represents the psychological experience of conflict (affective manifestation), mixed feelings, mixed reactions (cognitive manifestation), and indecision (behavioral manifestation) in the evaluation of some object.