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Mictlantecuhtli (left), god of death, and Quetzalcoatl, god of life; together they symbolize life and death.. The Aztec religion is a polytheistic and monistic pantheism in which the Nahua concept of teotl was construed as the supreme god Ometeotl, as well as a diverse pantheon of lesser gods and manifestations of nature. [1]
The Aztecs adopted his cult during the reign of Axayacatl (1469–81). During Tlacaxipehualiztli ("Flaying of Men"), the second ritual month of the Aztec year, the priests killed human victims by removing their hearts. They flayed the bodies and put on the skins, which were dyed yellow and called teocuitlaquemitl ("golden clothes").
The Aztecs believed that the essence of a deity could be captured by a human impersonator, or ixiptla, of the god. Primeros Memoriales therefore illustrates and describes the likeness of Huixtocihuatl, who would have embodied the salt god. Sahagun's description closely follows its associated illustration, saying, "Her facial paint is yellow./
Mictlāntēcutli or Mictlantecuhtli (Nahuatl pronunciation: [mik.t͡ɬaːn.ˈteːkʷ.t͡ɬi], meaning "Lord of Mictlan"), in Aztec mythology, is a god of the dead and the king of Mictlan (Chicunauhmictlan), the lowest and northernmost section of the underworld.
Rig Veda Americanus at Project Gutenberg, Daniel Brinton (Ed); late 19th-century compendium of some Aztec mythological texts and poems appearing in one manuscript version of Sahagun's 16th-century codices. Aztec history, culture and religion Bernal Díaz del Castillo, The Discovery and Conquest of Mexico (tr. by A. P. Maudsley, 1928, repr. 1965)
In Aztec mythology, the Thirteen Heavens were formed out of Cipactli's head when the gods made creation out of its body, whereas Tlaltícpac, the earth, was made from its center and the nine levels of the underworld from its tail.
Huehueteotl (/ ˌ w eɪ w eɪ ˈ t eɪ oʊ t əl / WAY-way-TAY-oh-təl; Nahuatl pronunciation: [weːweˈteoːt͡ɬ]) is an aged Mesoamerican deity figuring in the pantheons of pre-Columbian cultures, particularly in Aztec mythology and others of the Central Mexico region. The spellings Huehuetéotl and Ueueteotl are also used.
The sculpture measures approximately 13.1 x 11.8 feet (4 x 3.6 meters) and weighs nearly 12 tons, making it one of the largest Aztec monoliths ever discovered—larger even than the Calendar Stone. The sculpture, carved in a block of pink andesite, presents the goddess in her typical squatting position and is vividly painted in red, white ...