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Hades (/ ˈ h eɪ d iː z /; Ancient Greek: ᾍδης, romanized: Hā́idēs, Attic Greek: [háːi̯dεːs], later [háːdεːs]), in the ancient Greek religion and mythology, is the god of the dead and the king of the underworld, with which his name became synonymous. [2] Hades was the eldest son of Cronus and Rhea, although this also made him ...
Epithet of Śuri, Etruscan equivalent of the Greek god of the underworld and ruler of the dead, Hades. [2] Alpanu, Alpan, Alpnu: Etruscan goddess, whose name is identical to Etruscan "willingly". [2] Aminth: Etruscan winged deity in the form of a child, probably identified with Amor. [6] Ani
In Greek mythology, the underworld or Hades (Ancient Greek: ᾍδης, romanized: Háidēs) is a distinct realm (one of the three realms that make up the cosmos) where an individual goes after death. The earliest idea of afterlife in Greek myth is that, at the moment of death, an individual's essence ( psyche ) is separated from the corpse and ...
Spandaramet, most likely derived from Northwestern Middle Iranian, and Sandaramet ("Hades, the underworld"), which is derived from a Southwestern Iranian variant, possibly the Old form. [4] It is uncertain when the name Sandaramet entered Armenian; it may have taken place under the Achaemenid Empire (550–330 BC). [5]
Hades, king of the underworld and god of the dead [10] Hecate, goddess of witchcraft, she helped Demeter in the search for Persephone and was allowed to live in the Underworld as her magic works best at night; Hermes, the messenger god who acted as psychopompos; Hypnos, personification of sleep, twin of Thanatos, his Roman counterpart is Somnus
In his central myth, Orpheus visits the underworld in the hope of retrieving his bride, Eurydice, relying on the power of his music to charm the king and queen of Hades. Greek narratives of Orpheus's descent and performance typically name the ruler of the underworld as Plouton, as for instance in the Bibliotheca. [50]
Many of the Greek deities are known from as early as Mycenaean (Late Bronze Age) civilization. This is an incomplete list of these deities [n 1] and of the way their names, epithets, or titles are spelled and attested in Mycenaean Greek, written in the Linear B [n 2] syllabary, along with some reconstructions and equivalent forms in later Greek.
In book 4, he includes an account of Juno's descent to Hades to bring her perceived justice to Ino. [29] Ovid describes Juno's path to the underworld, noting Cerberus' presence. [30] Juno seeks the Furies (Tisiphone, Megara, and Alecto) to destroy the house of Cadmus, namely Ino and her husband Athamas. While in the underworld, Juno passes ...