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Ivanov's painting "Christ's Appearance to Mary Magdalene after the Resurrection" (lithograph, 1862) The painting, entitled Christ's Appearance to Mary Magdalene, was completed in December 1835 and exhibited in the artist's studio. One of the visitors was the writer Alexei Timofeev, who offered the following commentary on the painting: "‘The ...
Noli me tangere, also known as Christ Appearing to Mary Magdalene in the Garden, is a c. 1525 [1] painting by Correggio which depicts the noli me tangere interaction between Jesus and Mary Magdalene shortly after the Resurrection. It is currently in the collection of the Museo del Prado in Madrid.
The Gospel reading in the Tridentine Mass was Luke 7:36–50 [255] (the sinful woman anointing the feet of Jesus), while in the present version of the Roman Rite of Mass it is John 20:1–2, 11–18 [256] (meeting of Mary Magdalene with Jesus after his resurrection). [257] [258] [259] The Three Marys at the Tomb by Peter Paul Rubens, with Mary ...
Noli me tangere ('touch me not') is the Latin version of a phrase spoken, according to John 20:17, by Jesus to Mary Magdalene when she recognized him after His resurrection. The original Koine Greek phrase is Μή μου ἅπτου (mḗ mou háptou).
Christ's Appearance to Mary Magdalene after the Resurrection; The Conversion of Mary Magdalene; Coronation of the Virgin (Beccafumi) Coronation of the Virgin (Filippo Lippi) Croce al Tempio Lamentation; Crucifixion (van Dyck) Crucifixion (Vouet) Crucifixion (Bramantino) Crucifixion (Corpus Hypercubus) The Crucifixion (Cranach) Crucifixion ...
Noli me tangere (Latin for Don't touch me or Stop touching me) is a c. 1514 painting by Titian of the Noli me tangere episode in St John's Gospel. The painting, depicting Jesus and Mary Magdalene soon after the resurrection, is in oil on canvas and since the nineteenth century has been in the collection of the National Gallery in London.
R. Hepburn posits that while Matthew 28:9 records Mary Magdalene and the other Mary taking hold of Jesus’ feet and worshiping Him after His resurrection, the encounter recorded in John 20:17 is a different (likely earlier) encounter when Mary Magdalene is alone with the risen Christ.
It was at this point that the Resurrection was revealed to them, and they were commissioned to go and tell the Apostles. They were, in effect, the apostles to the Apostles. For this reason, the myrrhbearing women, especially Mary Magdalene, are sometimes referred to as "equal to the Apostles." Joseph of Arimathea was a disciple of Jesus, but ...