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The grammarian Dionysius Thrax used the Ancient Greek word ὑγρός (hygrós, transl. moist) to describe the sonorant consonants (/l, r, m, n/) of classical Greek. [1] [2] It is assumed that the term referred to their changing or inconsistent (or "fluid") effect on meter in classical Greek verse when they occur as the second member of a consonant cluster (see below).
The syllable onset has no relationship to syllable weight; both heavy and light syllables can have no onset or an onset of one, two, or three consonants. In Latin a syllable that is heavy because it ends in a long vowel or diphthong is traditionally called syllaba nātūrā longa (lit. transl. syllable long by nature), and a syllable that is ...
All of them had syllabic allophones, transcribed *r̥, *l̥, *m̥, *n̥, *i, *u, which generally were used between consonants, word-initially before a consonant, or word-finally after a consonant. Even though *i and *u were certainly phonetic vowels, they behave phonologically as syllabic sonorants.
This voicing of /f/ is a relic of Old English, at a time when the unvoiced consonants between voiced vowels were 'colored' by an allophonic voicing rule /f/ → [v]. As the language became more analytic and less inflectional, final vowels or syllables stopped being pronounced.
The rhotic consonant is dropped or vocalized under similar conditions in other Germanic languages, notably German, Danish, western Norwegian and southern Swedish (both because of Danish influence), rendering the English accents that native speakers of these languages speak with as non-rhotic as well.
In Japanese, non-nasal gemination (sokuon) is denoted by placing the "small" variant of the syllable Tsu (っ or ッ) between two syllables, where the end syllable must begin with a consonant. For nasal gemination, precede the syllable with the letter for mora N (ん or ン). The script of these symbols must match with the surrounding syllables.
Tone is differentiated only on the stressed and on the last syllables, where it is the opposite of the tone that stressed syllable has (except in some prepositions). If last syllable is stressed, then they merge and form rising (acute) or falling (circumflex) tone; e.g., pot [ˈpǒːt] / [ˈpôːt] 'path'. Other vowels have neutral (mid) tone.
The three short syllables in reliquiās do not fit into dactylic hexameter because of the dactyl's limit of two short syllables so the first syllable is lengthened by adding another l. However, the pronunciation was often not written with double ll , and may have been the normal way of pronouncing a word starting in rel- rather than a poetic ...
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