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The Nekromantix is a Danish-American psychobilly band founded in Copenhagen in 1989. Their lyrics are generally structured around monster and horror themes. A central icon of the band's image is founder and frontman Kim Nekroman's "coffinbass", a custom-built double bass with a body in the shape of a coffin and a headstock the shape of a cross.
A version of the song has been produced by the band Fantômas, who altered some of the lyrics to mean "smallest blood, body spirit" rather than "we drink the blood, we eat the flesh," and added the word "rotted". Other versions of the original song have been performed by the Italian vocalist Servio Tulio, and by Gregorian.
In 2005, six of the audio dramas featuring Paul McGann as the Eighth Doctor were broadcast on the digital radio station BBC 7: Storm Warning, Sword of Orion, The Stones of Venice, Invaders from Mars, Shada (originally created for webcast on the BBC's online service), and The Chimes of Midnight.
She gets more foul-mouthed with age. Taylor Swift is increasing the number of curse words in her lyrics with every new album. The pop superstar’s 11th album “The Tortured Poets Department ...
Here are all the explicit songs on Taylor Swift's 'The Tortured Poets Department'—including the track everyone thinks is about Harry Styles.
"The Curse of Curves" is a song by American pop punk band Cute Is What We Aim For. It was released on April 9, 2007, as the third and final single from their debut studio album, The Same Old Blood Rush with a New Touch. The song peaked at number 191 on the UK Singles Chart.
The curse of the ninth superstition originated in the late-Romantic period of classical music. [1]According to Arnold Schoenberg, the superstition began with Gustav Mahler, who, after writing his Eighth Symphony, wrote Das Lied von der Erde, which, while structurally a symphony, was able to be disguised as a song cycle, each movement being a setting of a poem for soloist and orchestra. [2]
The song "Auld Lang Syne" comes from a Robert Burns poem. Burns was the national poet of Scotland and wrote the poem in 1788, but it wasn't published until 1799—three years after his death.