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  2. List of musical works in unusual time signatures - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_works_in...

    This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.

  3. Time signature - Wikipedia

    en.wikipedia.org/wiki/Time_signature

    Example of an irrational 4 3 time signature: here there are four (4) third notes (3) per measure. A "third note" would be one third of a whole note, and thus is a half-note triplet. The second measure of 4 2 presents the same notes, so the 4 3 time signature serves to indicate the precise speed relationship between the notes in the two measures.

  4. Triple metre - Wikipedia

    en.wikipedia.org/wiki/Triple_metre

    4, 3 8 and 9 8 being the most common examples. In these signatures, beats form groups of three, establishing a triple meter feel in the music or song. The upper figure being divisible by three does not of itself indicate triple metre; for example, a time signature of 6 8 usually indicates compound duple metre, and similarly 12

  5. List of musical symbols - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_symbols

    Simple time signatures are usually classified as those with an upper number of 2, 3, or 4. This example shows that each measure is the length of three quarter notes (crotchets). 3 4 is pronounced as "three-four" or "three-quarter time". Compound time signatures In a compound meter, there is an additional rhythmic grouping within each measure ...

  6. Tuplet - Wikipedia

    en.wikipedia.org/wiki/Tuplet

    In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature (e.g., triplets, duplets, etc.)" [1] This is indicated ...

  7. Talk:Time signature - Wikipedia

    en.wikipedia.org/wiki/Talk:Time_signature

    The beats of 5/4 just don't line up with the way you feel the song, which is more important than how it is written; you can write 9/8, but it can felt in 3+3+3, or less commonly some permutation of 2+2+2+3, which has a very different feel (3 triplets vs. a slightly stilted, lengthened 4/4).

  8. Prolation - Wikipedia

    en.wikipedia.org/wiki/Prolation

    Whereas the term prolation is used to describe the rhythmic structure on a small scale, tempus (or 'time') describes the division of the breve, which is on a larger scale. [4] As with prolation, tempus also corresponds roughly to the modern concept of time signature, and describes the relationship between the breve and semibreve.

  9. Glossary of music terminology - Wikipedia

    en.wikipedia.org/wiki/Glossary_of_music_terminology

    common time The time signature 4 4: four beats per measure, each beat a quarter note (a crotchet) in length. 4 4 is often written on the musical staff as . The symbol is not a C as an abbreviation for common time, but a broken circle; the full circle at one time stood for triple time, 3 4. comodo