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Major Eugene Castner Lewis was the director of the Tennessee Centennial Exposition and it was at his suggestion that a reproduction of the Parthenon be built in Nashville to serve as the centerpiece of Tennessee's Centennial Celebration. Lewis also served as the chief civil engineer for the Nashville, Chattanooga and St. Louis Railroad.
The Cathedral of the Incarnation, located at 2015 West End Avenue in Nashville, Tennessee, is the cathedral seat of the Roman Catholic Diocese of Nashville.It is named after the mystery of the Incarnation, which celebrates the miraculous conception of Jesus in the womb of the Virgin Mary, by which God became man according to Christian teaching.
He was buried behind the altar. The church of San Nicolò was expanded into the Basilica of San Domenico between 1228 and 1240. The remains of the saint were moved in 1233 from its place behind the altar into a simple marble sarcophagus, situated on the floor in the right aisle of the church for the faithful.
The basilica bell tower is 230 feet (70 m) high, making it the tallest university chapel in America. [5] [6] [7] It is a contributing building in Notre Dame's historic district listed on the National Register of Historic Places. [8] The basilica is a major tourist attraction in Northern Indiana, and is visited annually by more than 100,000 ...
The Brick Church Mound and Village Site (40DV39) (also known as the Love Mounds and the Brick Church Pike Mound Site) is a Mississippian culture archaeological site located in Nashville in Davidson County, Tennessee. It was excavated in the late nineteenth century by Frederic Ward Putnam.
The Diocese of Nashville (Latin: Dioecesis Nashvillensis) is a Latin Church ecclesiastical territory, or diocese, of the Catholic Church in the central part of Tennessee in the United States. It is a suffragan diocese in the ecclesiastical province of the metropolitan Archdiocese of Louisville .
1508 [citation needed] – Donato Bramante, apparently jealous of Michelangelo's commission, used Michelangelo's absence to convince the Pope that it is bad luck to have his tomb built during his own lifetime, and that Michelangelo's time would be better spent on the Sistine Chapel ceiling in the Vatican Palace. He, along with Michelangelo's ...
The investigations confirmed the attribution to Michelangelo in 2001 and determined that the sculpture was made for the high altar of the Church of Santo Spirito di Firenze in Florence, perhaps as early as 1492 when Michelangelo was a teenager. [8] The crucifix now hangs in the octagonal sacristy of the Basilica of Santa Maria del Santo Spirito.