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Roman square capitals, also called capitalis monumentalis, inscriptional capitals, elegant capitals and capitalis quadrata, are an ancient Roman form of writing, and the basis for modern capital letters. Square capitals are characterized by sharp, straight lines, supple curves, thick and thin strokes, angled stressing and incised serifs.
Roman capitals were used along with lower case, Arabic numerals, italics and calligraphy in a complementary style. [21] The style has been used for lettering where a feeling of timelessness was wanted, for example on First World War memorials and government buildings, but also on shopfronts, posters, maps, and other general uses.
The two earliest Egyptian capitals of importance are those based on the lotus and papyrus plants respectively, and these, with the palm tree capital, were the chief types employed by the Egyptians, until under the Ptolemies in the 3rd to 1st centuries BC, various other river plants were also employed, and the conventional lotus capital went through various modifications.
The capital was very much deeper than either the Doric or the Ionic capital, being shaped like a large krater, a bell-shaped mixing bowl, and being ornamented with a double row of acanthus leaves above which rose voluted tendrils, supporting the corners of the abacus, which, no longer perfectly square, splayed above them.
In later examples, the slab is thinner and the abacus remains square, except where there are angled volutes, where the slab is slightly curved. In the Roman and Renaissance Ionic capital, the abacus is square with a fillet on the top of an ogee moulding with curved edges over angled volutes.
Patterns in nature are visible regularities of form found in the natural world. These patterns recur in different contexts and can sometimes be modelled mathematically . Natural patterns include symmetries , trees , spirals , meanders , waves , foams , tessellations , cracks and stripes. [ 1 ]
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Collectively, these characteristics gave the style a two-line pattern. Although common in professional writing, this style of cursive is not universal to all documents in Roman cursive. More informal documents still retained disorganized features and were unsuitable for ligatures.