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Programming the PC Speaker, by Mark Feldman for PC-GPE. Programming the PC Speaker, by Phil Inch: part 1, part 2 (includes a very detailed explanation of how to play back PCM audio on the PC speaker, and why it works) Bleeper Music Maker A freeware to use the PC speaker to make music (superseded by BaWaMI) Beep for Linux and Windows, by Frank ...
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The practice of focusing on loudness in audio mastering can be traced back to the introduction of the compact disc, [3] but also existed to some extent when the vinyl phonograph record was the primary released recording medium and when 7-inch singles were played on jukebox machines in clubs and bars.
Acoustic impedance, denoted Z and measured in Pa·m −3 ·s in SI units, is defined by [2] = ^ ^ (), where ^ is the Laplace transform of sound pressure, [citation needed] ^ is the Laplace transform of sound volume flow rate.
Computer speakers, or multimedia speakers, are speakers sold for use with computers, although usually capable of other audio uses, e.g. for an MP3 player. Most such speakers have an internal amplifier and consequently require a power source, which may be by a mains power supply often via an AC adapter , batteries, or a USB port.
Another type of normalization is based on a measure of loudness, wherein the gain is changed to bring the average loudness to a target level. This average may be approximate, such as a simple measurement of average power (e.g. RMS), or more accurate, such as a measure that addresses human perception e.g. that defined by EBU R128 and offered by ReplayGain, Sound Check and GoldWave.
Make web pages easy to read for you! With simple keyboard shortcuts, you can zoom in or out to make text larger or smaller. In an instant, these commands improve the readability of the content you're viewing. • Zoom in - Press Ctrl (CMD on a Mac) + the plus key (+) on your keyboard.
It was originally developed to carry extremely low sub-bass cinematic sound effects (e.g., the loud rumble of thunder or explosions) on their own channel. This allowed theaters to control the volume of these effects to suit the particular cinema's acoustic environment and sound reproduction system.
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