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13th-century hymns (1 C, 3 P) W. Works by Walther von der Vogelweide (4 P) Pages in category "13th-century songs" The following 5 pages are in this category, out of 5 ...
Very little Italian music remains from the 13th century, so the immediate antecedents of the music of the Trecento must largely be inferred. The music of the troubadors, who brought their lyrical, secular song into northern Italy in the early 13th century after they fled their home regions—principally Provence—during the Albigensian Crusade, was a strong influence, and perhaps a decisive ...
1271 – Amerus, Practica artis musicae. [5]1274 – Elias Salomo, Scientia artis musicae. [6]1279 – Anonymous of St Emmeram, De musica mensurata (Munich, Bayerische Staatsbibliothek, Cod. Lat. Mon. [Cim.] 14523), one of the two main treatises on the theory of Notre Dame polyphony.
13th-century songs (2 C, 5 P) Pages in category "13th century in music" The following 7 pages are in this category, out of 7 total.
Throughout the 13th century, women of the court were expected to be able to sing, play instruments, and write jocs partis, or partimen (a debate or dialogue in the form of a poem). The cultivation of these womanly skills may have led to the writings of the trobairitz .
Stylistically, the music of the ars nova differed from the preceding era in several ways. Developments in notation allowed notes to be written with greater rhythmic independence, shunning the limitations of the rhythmic modes which prevailed in the thirteenth century; secular music acquired much of the polyphonic sophistication previously found only in sacred music; and new techniques and ...
Although colloquially the term ars antiqua is used more loosely to mean all European music of the 13th century, and from slightly before. The term ars antiqua is used in opposition to ars nova (meaning "new art", "new technique" or "new style"). The transition from ars antiqua into ars nova is not clearly defined, recent interpretation has ...
The Musicians or Concert of Youths (c. 1595) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610). [1] The work was commissioned by Cardinal Francesco Maria del Monte, who had an avid interest in music. [2] It is one of Caravaggio’s more complex paintings, with four figures that were likely painted from ...